First of all, a correction from last time. I said that Michael Jackson was the only performer on Casey's last AT40 who was also on his first. I overlooked The Moody Blues, who on July 4, 1970 were at #27 with "Question," and were at #30 in August '88 with "I Know You're Out There Somewhere." Thanks as always, Jimmy, for keeping me honest.
And now, we visit August, 1964. Around the date of this chart, the space probe Ranger 7 sent the first close-up images of the moon back to Earth, Warner Brothers closed down its long-running and storied animation department, and the USS Maddox was involved in an incident in the Gulf of Tonkin that foreshadowed increased American involvement in the Vietman war. Meanwhile, the big story on the music scene was the arrival on U.S. shores of an unprecedented number of hit records by singers and groups from the United Kingdom. The sheer volume and popularity of these recordings, and the artists who preformed them, was likened in some circles to a sort of "invasion." How much sway had these Brits gained over Yankee radio listeners and record buyers? Let's find out, shall we?
40 - "Ain't She Sweet," The Beatles
And we kick off with the undisputed leaders of the invasion. This was six months after their monumental appearance on The Ed Sullivan Show, and American Beatlemania was in full swing, so much so that they were even able to chart with trifles like this cover of a Tin Pan Alley hit from 1927. They put their own sound to it, and the performance is spirited, but the song is too cliched to make this more than just a curiosity.
39 - "I Believe," The Bachelors
Technically, these Dubliners don't qualify as British, seeing as they're from the Republic of Ireland. But they had their first hits in 1964, the second being this cover of a 1953 Frankie Laine hit about the faith-restoring powers of rain, crying babies, and other things. Kind of square, but the harmonies are nice.
38 - "Sugar Lips," Al Hirt
This New Orleans trumpeter scored all three of his Top 40 hits in 1964, the last of which being this peppy instrumental (well, except for a female chorus occasionally interjecting with the title phrase). The kind of song that makes you imagine girls dancing to it to entertain the crowd before Don Rickles comes out for the 11 o'clock show somewhere in Lake Tahoe. At least that's what I envision. Don't ask me why.
37 - "Hey Harmonica Man," Stevie Wonder
The now-14-year-old genius had his third pop hit was essentially a showcase for his prowess on the mouth organ, which even then was formidable. It was from an LP called Stevie at the Beach, an unsuccessful attempt to associtate him with the surf craze. This was the kind of stuff he had to put up with until he got creative control in his second Motown deal.
36 - "Tell Me," The Rolling Stones
And here they are, the other titanic band that emerged from the first wave of the U.K assault on the American pop charts, with their very first U.S. hit. It's a ballad about wanting a lover to return because you've changed for the better. It's pretty good, and while it doesn't quite have the edge of much of what would follow from them, both Mick Jagger's lead and Brian Jones and Keith Richards' backing vocals give hints that these guys would be the grittier, darker counterparts of the sunny Beatles.
35 - "Bad to Me," Billy J. Kramer and The Dakotas
Kramer, born William Ashton in the Liverpool suburb of Bootle, was introduced to the Manchester group The Dakotas by his manager, Brian Epstein. Together, most of their success came with songs written by a couple of guys named John and Paul from one of Epstein's other bands, including this one about how the birds and the trees would be negatively impacted if Kramer's girlfriend mistreated him. It definitely sounds like a Lennon/McCartney composition, and although it's probably below most of what they recorded themselves, that still makes it pretty damn good. And Billy and the boys do...okay with it.
34 - "Do I Love You," The Ronettes
One of Phil Spector's flagship girl groups was this Manhattan trio named after lead singer Veronica "Ronnie" Bennett, whom Spector would later marry. Their first hit, "Be My Baby," went to #2 in 1963, but although they would hit the Top 40 four more times, none of their other singles, including this declaration of undying affection, charted higher that #23. This song doesn't quite stand out as one of Spector's best productions, but his trademark Wall of Sound is in full effect, and it's well worth listening to.
33 - "Just Be True," Gene Chandler
Two years after his #1 breakthrough smas "Duke of Earl," Chicago's Chandler picked up his second pop Top 40 with this soulful plea for fidelity. Just a solid soul ballad. I don't have it ahead of "Duke of Earl," but I definitely like it better than "Groovy Situation."
32 - "Al-Di-La," The Ray Charles Singers
The Ray Charles this white-bread chorus isn't the soul legend Jamie Foxx played in a movie, but a man born Charles Raymond Offenberg, a Chicago singer-composer-conductor known for his work with Perry Como on his variety shows. His group of vocalists had their second major hit with this recording of the Italian song Emilio Pericoli had hit #6 with two years earlier. I definitely prefer that version. As for Charles, he went on to contribute to two late 70s cultural touchstones: he was heavily involved in the music for The Muppet Show, and he was also the male voice singing "Come and knock on our door" on the theme song for Three's Company. And he's still alive at the age of 94. Good for him.
31 - "People Say," The Dixie Cups
This New Orleans trio, consisting of sisters Barbara Ann and Rosa Lee Hawkins and their cousin Joan Marie Johnson, found success after relocating to New York and signing with Red Bird Records, the label formed by legendary songwriters Jerry Leiber and Mike Stoller. Earlier in '64, they'd topped the charts with "Chapel of Love," and their follow-up single, this assertion that a "summer romance" will last longer than others think, went to #12. It's okay, but not a girl-group essential. They'd pick up two more Top 40s, most notably that wonderfully strange Mardi Gras song "Iko Iko."
30 - "Don't Worry Baby," The Beach Boys
This was just a B-side, and it only hit #24, but this song about pre-drag-race jitters that Brian Wilson apparently wrote to try and capture the spirit of Thexth Ronettes' "Be My Baby," had gone on to be regarded as one of the band's masterpieces. And I agree with that assessment. It's just everything you want a pop song to be. And don't even bother with the B.J. Thomas version. As for the A-side of this single, we'll catch up to it later.
29 - "Walk Don't Run '64," The Ventures
This group helped popularizee the genre known as "surf rock" with "Walk, Don't Run," their version of a 1954 jazz instrumental, which hit #2 in 1960. They charted a few times afterward, but they didn't return to the Top Ten. The guitar is a little different on this, and I think it also has organ on it, but overall, it's inferior to the original and thus unnecessary. The group would pick up one more Top 40 right after this, then returned with one more big hit in 1968, the indelible theme song for Hawaii Five-0.
28 - "I Like it Like That," The Miracles
The eighth pop Top 40 by Smokey and the boys, is this swinging, grooving love song that features handclaps and crowd noises for a "party feel" Just good. I like it like that, or like this, or like anything else.
27 - "Handy Man," Del Shannon
Shannon's sixth Top 40 is a cover of the 1960 Jimmy Jones hit that James Taylor would also succeed with in 1977. Del's version has kind of a Buddy Holly feel to it, and also feels keyboars squeals in the middle similar to "Runaway." I'll definitely take this one over JT's
26 - "You're My World," Cilla Black
The Brit brigade also included this Liverpool lady, ironically born Priscilla White, who was managed by the ever-present Brian Epstein. She'd rack up quite a few hits at home, but her only major impact on the American charts came with this dramatic ballad that was originally written in Italian. I like the haunting arrangement, as well as the range of Black's voice, which goes from sultry to belting. And when she sings the line "with your hand resting in mine" she actually sounds a bit like Patti Smith, of all people, to me. This is great. Yeah, I know Helen Reddy did it to, but her version is owned many times over by this one.
25 - "Don't Throw Your Love Away," The Searchers
More from Liverpool in the form of a former skiffle band whose name came from a John Wayne movie. Their second U.S. hit was this cover of a B-side by Philadelphia soul group The Orlons. It's a song about being discriminating with one's affections. It's a fair example of the "beat group" style that powered much of the British Invasion, but it's not one of the essentials.
24 - "C'mon and Swim," Bobby Freeman
San Francisco soul man Freeman had his first hit in 1958 with "Do You Want to Dance," which went to #5 and has been covered hundreds of times since. He had a couple other minor hits afteward before finally returning to the Top Five with this dance craze number. You can probably figure out how to do it. Or ask your grandparents. And the song is a fun listen even if you don't want to try the move. It's like a three-minute party.
23 - "People," Barbra Streisand
The showbusiness dynamo that is Streisand had her first Top 40 hit with this ballad about how good it is to need someone that came from the musical Funny Girl, in which she was starring on Broadway at the time. It's a showy, emotional song, and might as well have been tailor-made for her. If you like what she does, this is her doing it about as well as she can.
22 - "Don't Let the Sun Catch You Crying," Gerry and the Pacemakers
Another Liverpool act managed by Brian Epstein, this band's first American hit was this ballad about how the dawning of a new day is a chance to find happiness after heartbreak. Well-written, gorgeously played and sung. A clear classic.
21 - "My Boy Lollipop," Millie
Jamaican-born Millie Small had made a couple of recordings in her native land when she went to England in 1963, but it was there where she became an international star at 17 with this exuberant ska cover of a song that had been a minor hit in New York City for another teenage singer, Barbie Gaye, in 1956. Her unique voice, the springy arrangement, and that surprising-yet-perfect harmonica solo make it a one-of-a-kind listening experience. Which makes it this week's Uneasy Rider. But the song makes me feel anything but uneasy. Happiness on wax.
In Part Two: more from across the pond, a South American beauty, and one of the coolest men ever stops by to show the kids how it's done/
Saturday, August 10, 2013
Saturday, August 3, 2013
August 6, 1988
And so we take a look at the last show of the original American Top 40 hosted by Casey Kasem after a run of 18 years. Both pop and Casey himself continued after this, but this was indeed the end of an era. And here are the songs that accompanied this finale, with the uncovered ones from 40-11 in bold.
40 - "Foolish Beat," Debbie Gibson
39 - "Nite and Day," Al B. Sure!
38 - "Missed Opportunity," Daryl Hall and John Oates
37 - "One Good Woman," Peter Cetera
36 - "Saying Sorry (Don't Make it Right)," Denise Lopez
35 - "Here With Me," REO Speedwagon
34 - "It Would Take a Strong Stong Man," Rick Astley
33 - "Nobody's Fool," Kenny Loggins
32 - "Love Changes (Everything)," Climie Fisher
31 - "Another Part of Me," Michael Jackson
30 - "I Know You're Out There Somewhere," The Moody Blues
29 - "All Fired Up," Pat Benatar
28 - "Mercedes Boy," Pebbles
27 - "I'll Always Love You," Taylor Dayne
26 - "If it Isn't Love," New Edition
25 - "When it's Love," Van Halen
24 - "Perfect World," Huey Lewis and the News
23 - "The Flame," Cheap Trick
22 - "New Sensation,"INXS
21 - "Rag Doll," Aerosmith
20 - "Simply Irresistible," Robert Palmer
19 - "Rush Hour," Jane Wiedlin
18 - "Sweet Child o' Mine," Guns n' Roses
17 - "The Colour of Love," Billy Ocean
16 - "The Twist," The Fat Boys with Chubby Checker
15 - "Love Will Save the Day," Whitney Houston
14 - "Fast Car," Tracy Chapman
13 - "Parents Just Don't Understand," DJ Jazzy Jeff and The Fresh Prince
12 - "Just Got Paid," Johnny Kemp
11 - "Do You Love Me," The Contours
Nine newbies. That's pretty good. Let's chop 'em up.
We'll start with duos and groups Daryl and John had their next-to-last 80s hit with this midtempo soul number about two would-be lovers who just can't get together. Kind of bland. They were running out of steam. REO Speedwagon's last Top 40 to date was this meh power ballad about being destined to have someone. There were moments on this when Kevin Cronin's voice reminded me of "Weird Al" Yankovic's. I love Al, but when you're trying to do a serious love song, that's not good. And New Edition had their first hit with Johnny Gill with this Jam-Lewis production about admitting you're still in love with someone you claim not to be. Good song, good interplay between Ralph Tresvant and the others on the bridge, maybe their best hit overall.
Then we have four solo men. My buddy Peter Cetera had his last Top Five with this sapfest about how good his lady has made his life. I only wonder if the reverse is true. It probably is, but I'm just not a fan. Rick Astley followed up his first two singles, both uptempo #1s, with a ballad about how he just can't break up with a woman despite her being no good for (or to) him. It only went to #10, but it's a decent song, and Astley performs it well. He showed a little substance. Kenny Loggins' first soundtrack hit was "I'm Alright" from Caddyshack, so perhaps it's fitting that his last one came from Caddyshack II. It's an okay song, and not nearly as much as a comedown from its predecessor as the movie. Still, I could do without it. And Michael Jackson, who I believe is the only person on this chart who appeared on that first AT40 (he and his brothers were at #2 with "The Love You Save.") is here with a dance track on which he positions himself as the leader of a movement to make the world better, as he would do multiple times throughout his career. This is probably one of the better of those, and a very good song period. This was, however, the only American single from either Off The Wall, Thriller, or Bad not to make the Top Ten. Oh well, 17 out of 18 ain't bad.
We finish our look at the first thirty with two ladies. Queens singer Denise Lopez had her only major pop hit with this Latin freestyle track about not accepting apologies easily. Okay, as this stuff goes. And Pat Benatar had her last pop hit with this energetic rocker about learning from one's mistakes and seizing the day. Good for pumping oneself up. An underrated hit.
For the record, I'll give the Uneasy Rider to "The Twist."
Feel the Top Ten-sity!
10 - "Monkey," George Michael
"Do you love the monkey, or do you love me?" he asks. Well, "love," is a strong word, George, but gun to my head, I guess I'd take you over some random simian.
9 - "Pour Some Sugar on Me," Def Leppard
Not only was this one of their biggest hits, it may have influenced the future of technology. It sounds to me like Joe Elliot sang "Livin' like a lover with a red iPhone." Maybe Steve Jobs was inspired by the Leps. And maybe we'll be seeing Ashton Kutcher re-enact that moment on the big screen in a couple weeks.
8 - "I Don't Wanna Live Without Your Love," Chicago
But I could live perfectly well without this song, thanks.
7 - "I Don't Wanna Go On With You Like That," Elton John
I didn't even know we were going on together!
6 - "1-2-3," Gloria Estefan and Miami Sound Machine
"I'm just gonna keeep on counting till you are mine," she sings. Well, it's been 25 years, Gloria, and I'm still not yours. How high are you up to now?
5 - "Sign Your Name," Terence Trent D'Arby
A high water mark in 80s sex-soul. But I wonder if a doctor doing a heart operation has ever done anything like signing his name. I've heard of surgeons getting in trouble for cauterizing certain words and designs on organs, so maybe it's possible.
4 - "Make Me Lose Control," Eric Carmen
Listen to the songs he mentions in the lyrics, not this.
3 - "Hold On to the Nights," Richard Marx
I still think you're singing about boobs, Dirty Dick.
2 - "Hands to Heaven," Breathe
I pray that I'll never have to hear this again.
And on the top of the charts 25 years ago was...
1 - "Roll With It," Steve Winwood
Decent pop-soul from a classy vet. Not a classic, but I don't begrudge him the top spot.
The Larry Morgan ("NotCasey" had been retired forever) extras were "The Loco-Motion" by Kylie Minogue, "Domino Dancing" by The Pet Shop Boys, "I Don't Want Your Love" by Duran Duran, and "What I Am" by Edie Brickell and New Bohemians. The first of the LDDs was the #23 song, Cheap Trick's "The Flame," which Casey played on behalf of a young woman whose boyfriend was shipping out to Germany for the military. And for the other, a teenage boy from Florida dedicated Bill Medley and Jennifer Warnes' "I've Had the Time of My Life" to the girls he met in Texas who inspired him to finish third in a national job skills competition. And no, Casey made no mention of the fact that it was his last show. Whether this had anything to do with his relationship with the company he was leaving, I'm not sure, but the only little clue was at the end, where instead of saying he'd be counting down the hits next week, he told listeners to watch his syndicated TV show, America's Top 10.
Okay, the 80s have been given their due. Next time, it's back to the 60s. Specifically, 1964.
40 - "Foolish Beat," Debbie Gibson
39 - "Nite and Day," Al B. Sure!
38 - "Missed Opportunity," Daryl Hall and John Oates
37 - "One Good Woman," Peter Cetera
36 - "Saying Sorry (Don't Make it Right)," Denise Lopez
35 - "Here With Me," REO Speedwagon
34 - "It Would Take a Strong Stong Man," Rick Astley
33 - "Nobody's Fool," Kenny Loggins
32 - "Love Changes (Everything)," Climie Fisher
31 - "Another Part of Me," Michael Jackson
30 - "I Know You're Out There Somewhere," The Moody Blues
29 - "All Fired Up," Pat Benatar
28 - "Mercedes Boy," Pebbles
27 - "I'll Always Love You," Taylor Dayne
26 - "If it Isn't Love," New Edition
25 - "When it's Love," Van Halen
24 - "Perfect World," Huey Lewis and the News
23 - "The Flame," Cheap Trick
22 - "New Sensation,"INXS
21 - "Rag Doll," Aerosmith
20 - "Simply Irresistible," Robert Palmer
19 - "Rush Hour," Jane Wiedlin
18 - "Sweet Child o' Mine," Guns n' Roses
17 - "The Colour of Love," Billy Ocean
16 - "The Twist," The Fat Boys with Chubby Checker
15 - "Love Will Save the Day," Whitney Houston
14 - "Fast Car," Tracy Chapman
13 - "Parents Just Don't Understand," DJ Jazzy Jeff and The Fresh Prince
12 - "Just Got Paid," Johnny Kemp
11 - "Do You Love Me," The Contours
Nine newbies. That's pretty good. Let's chop 'em up.
We'll start with duos and groups Daryl and John had their next-to-last 80s hit with this midtempo soul number about two would-be lovers who just can't get together. Kind of bland. They were running out of steam. REO Speedwagon's last Top 40 to date was this meh power ballad about being destined to have someone. There were moments on this when Kevin Cronin's voice reminded me of "Weird Al" Yankovic's. I love Al, but when you're trying to do a serious love song, that's not good. And New Edition had their first hit with Johnny Gill with this Jam-Lewis production about admitting you're still in love with someone you claim not to be. Good song, good interplay between Ralph Tresvant and the others on the bridge, maybe their best hit overall.
Then we have four solo men. My buddy Peter Cetera had his last Top Five with this sapfest about how good his lady has made his life. I only wonder if the reverse is true. It probably is, but I'm just not a fan. Rick Astley followed up his first two singles, both uptempo #1s, with a ballad about how he just can't break up with a woman despite her being no good for (or to) him. It only went to #10, but it's a decent song, and Astley performs it well. He showed a little substance. Kenny Loggins' first soundtrack hit was "I'm Alright" from Caddyshack, so perhaps it's fitting that his last one came from Caddyshack II. It's an okay song, and not nearly as much as a comedown from its predecessor as the movie. Still, I could do without it. And Michael Jackson, who I believe is the only person on this chart who appeared on that first AT40 (he and his brothers were at #2 with "The Love You Save.") is here with a dance track on which he positions himself as the leader of a movement to make the world better, as he would do multiple times throughout his career. This is probably one of the better of those, and a very good song period. This was, however, the only American single from either Off The Wall, Thriller, or Bad not to make the Top Ten. Oh well, 17 out of 18 ain't bad.
We finish our look at the first thirty with two ladies. Queens singer Denise Lopez had her only major pop hit with this Latin freestyle track about not accepting apologies easily. Okay, as this stuff goes. And Pat Benatar had her last pop hit with this energetic rocker about learning from one's mistakes and seizing the day. Good for pumping oneself up. An underrated hit.
For the record, I'll give the Uneasy Rider to "The Twist."
Feel the Top Ten-sity!
10 - "Monkey," George Michael
"Do you love the monkey, or do you love me?" he asks. Well, "love," is a strong word, George, but gun to my head, I guess I'd take you over some random simian.
9 - "Pour Some Sugar on Me," Def Leppard
Not only was this one of their biggest hits, it may have influenced the future of technology. It sounds to me like Joe Elliot sang "Livin' like a lover with a red iPhone." Maybe Steve Jobs was inspired by the Leps. And maybe we'll be seeing Ashton Kutcher re-enact that moment on the big screen in a couple weeks.
8 - "I Don't Wanna Live Without Your Love," Chicago
But I could live perfectly well without this song, thanks.
7 - "I Don't Wanna Go On With You Like That," Elton John
I didn't even know we were going on together!
6 - "1-2-3," Gloria Estefan and Miami Sound Machine
"I'm just gonna keeep on counting till you are mine," she sings. Well, it's been 25 years, Gloria, and I'm still not yours. How high are you up to now?
5 - "Sign Your Name," Terence Trent D'Arby
A high water mark in 80s sex-soul. But I wonder if a doctor doing a heart operation has ever done anything like signing his name. I've heard of surgeons getting in trouble for cauterizing certain words and designs on organs, so maybe it's possible.
4 - "Make Me Lose Control," Eric Carmen
Listen to the songs he mentions in the lyrics, not this.
3 - "Hold On to the Nights," Richard Marx
I still think you're singing about boobs, Dirty Dick.
2 - "Hands to Heaven," Breathe
I pray that I'll never have to hear this again.
And on the top of the charts 25 years ago was...
1 - "Roll With It," Steve Winwood
Decent pop-soul from a classy vet. Not a classic, but I don't begrudge him the top spot.
The Larry Morgan ("NotCasey" had been retired forever) extras were "The Loco-Motion" by Kylie Minogue, "Domino Dancing" by The Pet Shop Boys, "I Don't Want Your Love" by Duran Duran, and "What I Am" by Edie Brickell and New Bohemians. The first of the LDDs was the #23 song, Cheap Trick's "The Flame," which Casey played on behalf of a young woman whose boyfriend was shipping out to Germany for the military. And for the other, a teenage boy from Florida dedicated Bill Medley and Jennifer Warnes' "I've Had the Time of My Life" to the girls he met in Texas who inspired him to finish third in a national job skills competition. And no, Casey made no mention of the fact that it was his last show. Whether this had anything to do with his relationship with the company he was leaving, I'm not sure, but the only little clue was at the end, where instead of saying he'd be counting down the hits next week, he told listeners to watch his syndicated TV show, America's Top 10.
Okay, the 80s have been given their due. Next time, it's back to the 60s. Specifically, 1964.
Friday, August 2, 2013
Revenge of the 80s - Part Three
And now, the neglected orphans of 1985-1988.
January 19, 1985
13 - "Do They Know It's Christmas," Band Aid
The song that started it all. After seeing a news report about the famine in Ethiopia, former Boomtown Rat Bob Geldof decided to do something to help. He called a friend, Midge Ure from the band Ultravox, and together they wrote a song that asked listeners to help out people halfway around the world who were suffering while the West celebrated the holidays. Then the pair gathered together many of Britain's biggest pop stars and bands of the day, including Sting, Phil Collins, George Michael, Culture Club, Duran Duran, and U2, to perform the track. The result was a single that sold millions of copies around the world and raised large amounts of money for famine relief. And in its aftermath, there was USA for Africa's "We are the World," Canada's Northern Lights and "Tears are Not Enough," and in the summer, the massive Live Aid concert. And the song itself still gets seasonal airplay to this day. A noble effort overall, and questionable lyrics aside ("Thank God it's them instead of you"?), it's probably the best of the three major collaboration.
14 - "I Would Die 4 U," Prince and the Revolution
The fourth single from Purple Rain was this bit of new wave/funk on which he declares that he is not your lover or your friend, but rather "your messiah." 20 years after John Lennon got in trouble for his "bigger than Jesus" remarks, this caused no controversy whatsoever. Interesting. Good, but there's a reason it wasn't as big as the three hits before it.
26 - "Call to the Heart," Giuffria
This band, formed by keyboardist Gregg Giuffria after he left the proto-hair metal band Angel, had their only major hit with this cheeseball power ballad on which singer David Glenn Eisley sounds like a poor imitation of Steve Perry. Indistinct and forgettable.
34 - "Money Changes Everything," Cyndi Lauper
The fifth single from She's So Unusual was this cover of a 1980 song by an Atlanta New Wave band called The Brains. It's a catchy, synth-driven rocker about how, well, money changes everything. Unlike its predecessors, this missed the Top Ten by a wide margin, but it deserved a better fate. It's fantastic. And The Brains' original is well worth looking up too.
38 - "In Neon," Elton John
Sir Elton didn't get any higher than this with this vaguely countryish ballad about a girl's futile dreams of stardom. Better than some of his bigger hits from this decade.
39 - "Mistake No. 3," Culture Club
Boy George and co.'s penultimate U.S. hit was this ballad that, I think, is about how friends and lovers come in and out of one's life, and how some of them one might regret having removed from one's life. The wedding-themed video is kind of odd and frivolous, and doesn't quite match the tone of the song, Better to just listen to the song and appreciate George's usual affecting vocal performance.
March 16, 1985
34 - "This is Not America," David Bowie with the Pat Metheny Group
Bowie teamed up with jazz guitarist Pat Metheny and his band for this song from the film The Falcon and the Snowman, which was based on the true story of two American men who sold security secrets to the Soviet Union in the late 70s. It's spooky and atmospheric. I only wonder if Bowie and Metheny might do a sequel for the soundtrack of the inevitable Edward Snowden movie.
35 - "Why Can't I Have You," The Cars
The fifth single from Heartbeat City was this synthpop ballad about how Ric Ocasek lusts after an unattainable woman with a "candy smile" and "eyes like mica." That man certainly has some unique ways of describing the ladies. Definitely not one of my favorites of theirs.
40 - "Radioactive," The Firm
This short-lived supergroup, fronted by Bad Company singer Paul Rodgers and Led Zeppelin guitarist Jimmy Page, had their only pop hit with this catchy rocker on which Rodgers describes himself using the title word. And he means it as a good thing, I guess, although he does say "don't you stand too close, you might catch it." Whatever. I like it.
May 25, 1985
38 - "Show Some Respect," Tina Turner
The fifth and final American hit from Private Dancer was this okay funk-rocker about how a couple must treat each other with more dignity for their relationship to survive. Okay, but not in the same league as her biggest songs of this decade.
39 - "Oh Girl," Boy Meets Girl
The duo of George Merrill and Shannon Rubicam had their first hit with this song on which Merrill tells a woman that he doesn't need her and doesn't want to see her, even though it's pretty clear neither is true. Mediocre uptempo MOR that peaked right here. Three years later, however, they'd score a Top Five with "Waiting for a Star to Fall." And in between their only two Top 40s, Whitney Houston topped the charts with their compositions "How Will I Know" and "I Wanna Dance With Somebody (Who Loves Me)."
June 29, 1985
31 - "Possession Obsession," Daryl Hall and John Oates
The fourth hit from their Big Bam Boom LP was this song about the perils of being overly needy and greedy. It's okay, but Oates sings lead, and chartwise, that's never a good thing..He does all right, but let's just say that the fact that H comes before O in the alphabet isn't the only reason Hall's always billed first.
37 - "Little by Little," Robert Plant
Plant's third solo pop hit was this tune about slowly but surely recovering from a traumatic event to the point where "I can breathe again." It's midtempo, synth-spiced corporate rock. Okay, but not up to the stuff he did with that famous band he was with before.
40 - "Wake Up (Next to You)," Graham Parker and The Shot
Parker, a British singer-songwriter, had built up critical acclaim and a cult following with his band The Rumour in the late 70s, but he never scored a U.S. Top 40 until forming a new band and releasing this rock ballad about how everything is right with the world as long as he awakens beside his special someone. Parker's voice has some similarities to Elvis Costello's, but he has his own style, and it works well. A pleasing radio tune. Parker never came close to this chart position again, but he did have a bit of a revival last year when he and the reunited Rumour appeared in the film This is 40.
February 15, 1986
28 - "Day by Day," The Hooters
The second and biggest of this Philly band's three hits was this okay rocker about not getting too far ahead of oneself. I still wish "All You Zombies" had gone Top 40 though. That could've contended for an Uneasy Rider for sure.
April 26, 1986
14 - "American Storm," Bob Seger and the Silver Bullet Band
The tenth Top 40 of the decade for Detroit's Styx was this rootsy rocker about the numbness and isolation caused by cocaine addiction. At least that's what Seger said in an interview. Regardless, it's a decent tune, and much better than the title track of the album it came from, Like a Rock.
23 - "I Do What I Do (Theme for 9 1/2 Weeks)," John Taylor
The only solo hit by Duran Duran's bassist was this darkly steamy tune from the film in which Kim Basinger and Mickey Rourke have a passionately destructive sexual relationship. Never seen it, don't feel the need to. I do know that both actors went through rocky career patches that saw revivals that were punctuated by Oscar nominations. I also know that Basinger won, and Mickey Rourke should have. Seriously, The Wrestler is one of my favorite movies.
26 - "Saturday Love," Cherelle with Alexander O'Neal
The first of this pair's two hit duets was this romantic R&B track written and produced by Jimmy Jam and Terry Lewis. Pleasant pop for any day of the week.
37 - "Stick Around," Julian Lennon
Lennon's fourth and last U.S. hit was saw him going in more of a synthpop direction on a song whose lyrics are basically "should I stay or should I go. Song's okay, and the sped-up video, which includes appearances by Joe Piscopo, Michael J. Fox, and three random women in bikinis, is, well, something to see.
38 - "Feel it Again," Honeymoon Suite
Formed in 1981 in Niagara Falls, Ontario, and deriving their name from their hometown's reputation as the preferred destination for newlyweds, these hard rockers scored their only major American hit with this rocker about jealousy. Good song, but the video features visual effects that look so incredibly cheesy and primitive now. I can tell you as a Canadian that this is clearly their best song. I can also tell you that our side of the Falls not only has most of the touristy stuff, but is also clearly better to look at than the American side. I've live most of my life within half-an-hour's drive of the place, Trust me.
39 - "For America," Jackson Browne
Browne's most recent Top 40 was this angry rocker that casts a cynical eye on what his homeland has become, contrasting his youthful idealism with the mistrust built up by Watergate and Vietnam and decrying "a generation's blank stare" and those who blindly declare "my country wrong or right." A little preachy, but a good enough song not to collapse under the weight of its politics.
June 21, 1986
29 - "One Hit (To the Body)," The Rolling Stones
One of the Stones' lesser 80s hits. Their basic sound accompanying Mick singing about a woman whose love he compares to a punch in the stomach. The sound of them on cruise control.
34 - "If She Knew What She Wants," The Bangles
The second Top 40 for these L.A. ladies was this sunny pop song about a hard-to-please woman. It was written by veteran singer-songwriter Jules Shear, who also penned Cyndi Lauper's hit "All Through the Night." Catchy tune, great lyrics, solid performance. All around good.
37 - "Out of Mind, Out of Sight," Models
This Melbourne band had been somewhat successful in their native land through the first half of the 80s, and opened for many major international acts on their Australian tours. But the band's only major dent on American music was this new wavish lust rocker on which the singer declares he's "gotta keep my body tight." I guess that means he works out to keep up an attractive appearance for his lover or lovers. That's considerate. As for the song, it's fun, dated cheese.
March 21, 1987
23 - "That Ain't Love," REO Speedwagon
REO's eleventh Top 40 was this midtempo rocker about how a relationship isn't really ideal if one side has most of the power. I think that's it. Probably in the middle of their pack of hits.
25 - "As We Lay," Shirley Murdock
Toledo soul singer Murdock had her only pop hit with this ballad about two people attached to others and their regrets the morning after a tryst. Understated yet passionate. A fine addition to the Adultery R&B sub-genre
May 9, 1987
25 - "Day-In, Day-Out," David Bowie
Bowie's next-to-last U.S. pop hit to date was this funk-rock tale about a woman born in impoverished circumstances who doesn't have the access to the means to improve her station, so she ends up turning to drugs, theft, and prostitution, and things don't end well for her. The video makes this all even clearer. An okay song, but unlike say, "For America," this one isn't quite sturdy enough to make its points effectively.
32 - "Get That Love," Thompson Twins
By the time of this, their penultimate American hit, the Twins were down to a duo, with Joe Leeway having left. It's a midtempo synthpop effort, typical of them, and contains a lyrical callback to their earlier hit "Lies." But it's definitely a notch below the stuff that made them famous.
35 - "Heartbreak Beat," The Psychedelic Furs
These Brit New Wavers, led by brothers Tim and Richard Butler, had been developing a following on both sides of the Atlantic throughout the 80s, and they had made a bit of a breaktrhrough in 1986 when a re-recorded version of their 1981 song "Pretty in Pink" peaked at #41 in America after being used as the title track to a hit Molly Ringwald movie. The band's next single, a slick rocker about experiencing not-quite-romance while listening to the radio, did crack the Top 40, but the band would later decide that the song and the album it came from were too much of a commercial compromise from their true sound, and thus they never came close to these chart heights again. Which was probably for the best. This song's okay, but if you want to hear them at their best, find songs like "Love My Way," "Heaven," and "The Ghost in You."
36 - "You Can Call Me Al," Paul Simon
After the commercial disappointment of his 1983 LP Hearts and Bones, Simon felt discouraged and uninspired. But then he heard a tape of some musical styles from South Africa, and he decided to go there to write and record with African musicians. The result was Graceland, a record that topped charts around the world, was hailed by critics, and helped expose more people to African music. But the only Top 40 hit it produced was this funky, almost ska-ish song whose lyrics could be interpreted as Simon's own journey from mid-life crisis to musical rebirth. Fantastic song, fantastic album.
March 5, 1988
34 - "Twilight World," Swing Out Sister
The second and last U.S. Top 40 by these British purveyors of "sophisti-pop" was this classy, catchy tune about...I'm not really sure. Staying positive, I think. Anyway, not quite as awesome as "Breakout," but still quite good.
June 4, 1988
29 - "Beds are Burning," Midnight Oil
These Australians, led by bald, 6-foot-4 singer Peter Garrett, had long established themselves as stars Down Under, known for both their music and their politcal activism. But then, they scored a surprise American hit with this churning rock song that calls for the return of land in Australia's Western Desert to the Aboriginal Pintupi tribe. Not generally the kind of subject that makes for a pop hit in any era, but the song is hooky and insistent, and those horn blasts reinforce the lyrical urgency. The group wouldn't chart this high again in America, but they stayed together until 2002, when Garrett decided to begin a serious political career that has seen him not only elected to Australia's House of Representatives, but also appointed to cabinet positions. Have to admire a guy who proves when it comes to changing things, he's not just talk.
31 - "Under The Milky Way," The Church
Also from Australia, this Canberra band's only major American hit was this pretty acoustic number. Not sure what it's about, except maybe being led somewhere by "something shimmering and white." Doesn't matter. Loved it then, love it now.
38 - "When We Kiss," Bardeux
This dance-pop duo's only pop hit was this spare, midtempo, mostly-rapped song about a relationship that's only stable when lips lock. There's not much to it, and these girls sound bored, so why should I care?
40 - "Tall Cool One," Robert Plant
The former Zeppelin frontman's last major U.S. pop hit is a slick rocker about how much he wants to have sex with a particularly fetching lady. He does that a lot, and he's good at it. The song's okay, but it's mostly notable for its use of samples from multiple Led Zep songs, most prominently "Black Dog."
Next time: We're not done with the 80s yet. This weekend, they're airing the last original AT40 that Casey hosted, from this weekend in 1988, so of course, I have to give it its own entry.
January 19, 1985
13 - "Do They Know It's Christmas," Band Aid
The song that started it all. After seeing a news report about the famine in Ethiopia, former Boomtown Rat Bob Geldof decided to do something to help. He called a friend, Midge Ure from the band Ultravox, and together they wrote a song that asked listeners to help out people halfway around the world who were suffering while the West celebrated the holidays. Then the pair gathered together many of Britain's biggest pop stars and bands of the day, including Sting, Phil Collins, George Michael, Culture Club, Duran Duran, and U2, to perform the track. The result was a single that sold millions of copies around the world and raised large amounts of money for famine relief. And in its aftermath, there was USA for Africa's "We are the World," Canada's Northern Lights and "Tears are Not Enough," and in the summer, the massive Live Aid concert. And the song itself still gets seasonal airplay to this day. A noble effort overall, and questionable lyrics aside ("Thank God it's them instead of you"?), it's probably the best of the three major collaboration.
14 - "I Would Die 4 U," Prince and the Revolution
The fourth single from Purple Rain was this bit of new wave/funk on which he declares that he is not your lover or your friend, but rather "your messiah." 20 years after John Lennon got in trouble for his "bigger than Jesus" remarks, this caused no controversy whatsoever. Interesting. Good, but there's a reason it wasn't as big as the three hits before it.
26 - "Call to the Heart," Giuffria
This band, formed by keyboardist Gregg Giuffria after he left the proto-hair metal band Angel, had their only major hit with this cheeseball power ballad on which singer David Glenn Eisley sounds like a poor imitation of Steve Perry. Indistinct and forgettable.
34 - "Money Changes Everything," Cyndi Lauper
The fifth single from She's So Unusual was this cover of a 1980 song by an Atlanta New Wave band called The Brains. It's a catchy, synth-driven rocker about how, well, money changes everything. Unlike its predecessors, this missed the Top Ten by a wide margin, but it deserved a better fate. It's fantastic. And The Brains' original is well worth looking up too.
38 - "In Neon," Elton John
Sir Elton didn't get any higher than this with this vaguely countryish ballad about a girl's futile dreams of stardom. Better than some of his bigger hits from this decade.
39 - "Mistake No. 3," Culture Club
Boy George and co.'s penultimate U.S. hit was this ballad that, I think, is about how friends and lovers come in and out of one's life, and how some of them one might regret having removed from one's life. The wedding-themed video is kind of odd and frivolous, and doesn't quite match the tone of the song, Better to just listen to the song and appreciate George's usual affecting vocal performance.
March 16, 1985
34 - "This is Not America," David Bowie with the Pat Metheny Group
Bowie teamed up with jazz guitarist Pat Metheny and his band for this song from the film The Falcon and the Snowman, which was based on the true story of two American men who sold security secrets to the Soviet Union in the late 70s. It's spooky and atmospheric. I only wonder if Bowie and Metheny might do a sequel for the soundtrack of the inevitable Edward Snowden movie.
35 - "Why Can't I Have You," The Cars
The fifth single from Heartbeat City was this synthpop ballad about how Ric Ocasek lusts after an unattainable woman with a "candy smile" and "eyes like mica." That man certainly has some unique ways of describing the ladies. Definitely not one of my favorites of theirs.
40 - "Radioactive," The Firm
This short-lived supergroup, fronted by Bad Company singer Paul Rodgers and Led Zeppelin guitarist Jimmy Page, had their only pop hit with this catchy rocker on which Rodgers describes himself using the title word. And he means it as a good thing, I guess, although he does say "don't you stand too close, you might catch it." Whatever. I like it.
May 25, 1985
38 - "Show Some Respect," Tina Turner
The fifth and final American hit from Private Dancer was this okay funk-rocker about how a couple must treat each other with more dignity for their relationship to survive. Okay, but not in the same league as her biggest songs of this decade.
39 - "Oh Girl," Boy Meets Girl
The duo of George Merrill and Shannon Rubicam had their first hit with this song on which Merrill tells a woman that he doesn't need her and doesn't want to see her, even though it's pretty clear neither is true. Mediocre uptempo MOR that peaked right here. Three years later, however, they'd score a Top Five with "Waiting for a Star to Fall." And in between their only two Top 40s, Whitney Houston topped the charts with their compositions "How Will I Know" and "I Wanna Dance With Somebody (Who Loves Me)."
June 29, 1985
31 - "Possession Obsession," Daryl Hall and John Oates
The fourth hit from their Big Bam Boom LP was this song about the perils of being overly needy and greedy. It's okay, but Oates sings lead, and chartwise, that's never a good thing..He does all right, but let's just say that the fact that H comes before O in the alphabet isn't the only reason Hall's always billed first.
37 - "Little by Little," Robert Plant
Plant's third solo pop hit was this tune about slowly but surely recovering from a traumatic event to the point where "I can breathe again." It's midtempo, synth-spiced corporate rock. Okay, but not up to the stuff he did with that famous band he was with before.
40 - "Wake Up (Next to You)," Graham Parker and The Shot
Parker, a British singer-songwriter, had built up critical acclaim and a cult following with his band The Rumour in the late 70s, but he never scored a U.S. Top 40 until forming a new band and releasing this rock ballad about how everything is right with the world as long as he awakens beside his special someone. Parker's voice has some similarities to Elvis Costello's, but he has his own style, and it works well. A pleasing radio tune. Parker never came close to this chart position again, but he did have a bit of a revival last year when he and the reunited Rumour appeared in the film This is 40.
February 15, 1986
28 - "Day by Day," The Hooters
The second and biggest of this Philly band's three hits was this okay rocker about not getting too far ahead of oneself. I still wish "All You Zombies" had gone Top 40 though. That could've contended for an Uneasy Rider for sure.
April 26, 1986
14 - "American Storm," Bob Seger and the Silver Bullet Band
The tenth Top 40 of the decade for Detroit's Styx was this rootsy rocker about the numbness and isolation caused by cocaine addiction. At least that's what Seger said in an interview. Regardless, it's a decent tune, and much better than the title track of the album it came from, Like a Rock.
23 - "I Do What I Do (Theme for 9 1/2 Weeks)," John Taylor
The only solo hit by Duran Duran's bassist was this darkly steamy tune from the film in which Kim Basinger and Mickey Rourke have a passionately destructive sexual relationship. Never seen it, don't feel the need to. I do know that both actors went through rocky career patches that saw revivals that were punctuated by Oscar nominations. I also know that Basinger won, and Mickey Rourke should have. Seriously, The Wrestler is one of my favorite movies.
26 - "Saturday Love," Cherelle with Alexander O'Neal
The first of this pair's two hit duets was this romantic R&B track written and produced by Jimmy Jam and Terry Lewis. Pleasant pop for any day of the week.
37 - "Stick Around," Julian Lennon
Lennon's fourth and last U.S. hit was saw him going in more of a synthpop direction on a song whose lyrics are basically "should I stay or should I go. Song's okay, and the sped-up video, which includes appearances by Joe Piscopo, Michael J. Fox, and three random women in bikinis, is, well, something to see.
38 - "Feel it Again," Honeymoon Suite
Formed in 1981 in Niagara Falls, Ontario, and deriving their name from their hometown's reputation as the preferred destination for newlyweds, these hard rockers scored their only major American hit with this rocker about jealousy. Good song, but the video features visual effects that look so incredibly cheesy and primitive now. I can tell you as a Canadian that this is clearly their best song. I can also tell you that our side of the Falls not only has most of the touristy stuff, but is also clearly better to look at than the American side. I've live most of my life within half-an-hour's drive of the place, Trust me.
39 - "For America," Jackson Browne
Browne's most recent Top 40 was this angry rocker that casts a cynical eye on what his homeland has become, contrasting his youthful idealism with the mistrust built up by Watergate and Vietnam and decrying "a generation's blank stare" and those who blindly declare "my country wrong or right." A little preachy, but a good enough song not to collapse under the weight of its politics.
June 21, 1986
29 - "One Hit (To the Body)," The Rolling Stones
One of the Stones' lesser 80s hits. Their basic sound accompanying Mick singing about a woman whose love he compares to a punch in the stomach. The sound of them on cruise control.
34 - "If She Knew What She Wants," The Bangles
The second Top 40 for these L.A. ladies was this sunny pop song about a hard-to-please woman. It was written by veteran singer-songwriter Jules Shear, who also penned Cyndi Lauper's hit "All Through the Night." Catchy tune, great lyrics, solid performance. All around good.
37 - "Out of Mind, Out of Sight," Models
This Melbourne band had been somewhat successful in their native land through the first half of the 80s, and opened for many major international acts on their Australian tours. But the band's only major dent on American music was this new wavish lust rocker on which the singer declares he's "gotta keep my body tight." I guess that means he works out to keep up an attractive appearance for his lover or lovers. That's considerate. As for the song, it's fun, dated cheese.
March 21, 1987
23 - "That Ain't Love," REO Speedwagon
REO's eleventh Top 40 was this midtempo rocker about how a relationship isn't really ideal if one side has most of the power. I think that's it. Probably in the middle of their pack of hits.
25 - "As We Lay," Shirley Murdock
Toledo soul singer Murdock had her only pop hit with this ballad about two people attached to others and their regrets the morning after a tryst. Understated yet passionate. A fine addition to the Adultery R&B sub-genre
May 9, 1987
25 - "Day-In, Day-Out," David Bowie
Bowie's next-to-last U.S. pop hit to date was this funk-rock tale about a woman born in impoverished circumstances who doesn't have the access to the means to improve her station, so she ends up turning to drugs, theft, and prostitution, and things don't end well for her. The video makes this all even clearer. An okay song, but unlike say, "For America," this one isn't quite sturdy enough to make its points effectively.
32 - "Get That Love," Thompson Twins
By the time of this, their penultimate American hit, the Twins were down to a duo, with Joe Leeway having left. It's a midtempo synthpop effort, typical of them, and contains a lyrical callback to their earlier hit "Lies." But it's definitely a notch below the stuff that made them famous.
35 - "Heartbreak Beat," The Psychedelic Furs
These Brit New Wavers, led by brothers Tim and Richard Butler, had been developing a following on both sides of the Atlantic throughout the 80s, and they had made a bit of a breaktrhrough in 1986 when a re-recorded version of their 1981 song "Pretty in Pink" peaked at #41 in America after being used as the title track to a hit Molly Ringwald movie. The band's next single, a slick rocker about experiencing not-quite-romance while listening to the radio, did crack the Top 40, but the band would later decide that the song and the album it came from were too much of a commercial compromise from their true sound, and thus they never came close to these chart heights again. Which was probably for the best. This song's okay, but if you want to hear them at their best, find songs like "Love My Way," "Heaven," and "The Ghost in You."
36 - "You Can Call Me Al," Paul Simon
After the commercial disappointment of his 1983 LP Hearts and Bones, Simon felt discouraged and uninspired. But then he heard a tape of some musical styles from South Africa, and he decided to go there to write and record with African musicians. The result was Graceland, a record that topped charts around the world, was hailed by critics, and helped expose more people to African music. But the only Top 40 hit it produced was this funky, almost ska-ish song whose lyrics could be interpreted as Simon's own journey from mid-life crisis to musical rebirth. Fantastic song, fantastic album.
March 5, 1988
34 - "Twilight World," Swing Out Sister
The second and last U.S. Top 40 by these British purveyors of "sophisti-pop" was this classy, catchy tune about...I'm not really sure. Staying positive, I think. Anyway, not quite as awesome as "Breakout," but still quite good.
June 4, 1988
29 - "Beds are Burning," Midnight Oil
These Australians, led by bald, 6-foot-4 singer Peter Garrett, had long established themselves as stars Down Under, known for both their music and their politcal activism. But then, they scored a surprise American hit with this churning rock song that calls for the return of land in Australia's Western Desert to the Aboriginal Pintupi tribe. Not generally the kind of subject that makes for a pop hit in any era, but the song is hooky and insistent, and those horn blasts reinforce the lyrical urgency. The group wouldn't chart this high again in America, but they stayed together until 2002, when Garrett decided to begin a serious political career that has seen him not only elected to Australia's House of Representatives, but also appointed to cabinet positions. Have to admire a guy who proves when it comes to changing things, he's not just talk.
31 - "Under The Milky Way," The Church
Also from Australia, this Canberra band's only major American hit was this pretty acoustic number. Not sure what it's about, except maybe being led somewhere by "something shimmering and white." Doesn't matter. Loved it then, love it now.
38 - "When We Kiss," Bardeux
This dance-pop duo's only pop hit was this spare, midtempo, mostly-rapped song about a relationship that's only stable when lips lock. There's not much to it, and these girls sound bored, so why should I care?
40 - "Tall Cool One," Robert Plant
The former Zeppelin frontman's last major U.S. pop hit is a slick rocker about how much he wants to have sex with a particularly fetching lady. He does that a lot, and he's good at it. The song's okay, but it's mostly notable for its use of samples from multiple Led Zep songs, most prominently "Black Dog."
Next time: We're not done with the 80s yet. This weekend, they're airing the last original AT40 that Casey hosted, from this weekend in 1988, so of course, I have to give it its own entry.
Monday, July 29, 2013
Revenge of the 80s - Part Two
First of all, it has come to my attention that I missed some of the songs I, er, missed from '80-'82. Let's clean that up right now.
July 12, 1980
25 - "The Empire Strikes Back (Medley)," Meco
Meco's second Star Wars-themed hit marked his second and final appearance in the Top 20. The usual discofication of the music, with added sound effects of lasers, lightsabers, Chewbacca, and R2D2. An interesting relic of its time.
34 - "Walks Like a Lady," Journey
The band's third Top 40 is this uncharacteristically jazzy strut with lyrics that are along the same lines as Bob Dylan's "Just Like a Woman." A cool little detour from big bold rock.
January 10, 1981
24 - "One Step Closer," The Doobie Brothers
The group's last hit with Michael McDonald was this tepid bit of MOR jazz-pop on which he shares lead vocals with saxophonist Cornelius Bumpus. Now that is a fantastic name, and easily the coolest thing I found looking this song up.
August 1, 1981
37 - "Don't Want to Wait Anymore," The Tubes
The first of two Top 40s by these San Francisco new wavers is a ballad about really desperately wanting to have sex with a woman, asking her to imagine them being the last two people on Earth, trapped in a frozen wasteland where they have to "make love to survive." The weirdest thing about it is it sounds much more like an 80s Chicago ballad that a song by the group that gave the world "White Punks on Dope" and "Don't Touch Me There." Oddly charming.
40 - "You're My Girl," Franke and the Knockouts
The middle hit by Mr. Previte and co. is uninspired, uninspiring corporate rock. Background music, at best.
June 12, 1982
10 - "It's Gonna Take a Miracle," Deneice Williams
The second solo hit for this native of Gary, Indiana was this cover of a 1965 R&B hit by The Royalettes. Silky soul about not being able to get over someone, co-produced by Philly soul legend Thom Bell. Good stuff, and I prefer it by a large margin over "Let's Hear It for the Boy."
Now that that's cleared up, let's move ahead.
February 26, 1983
33 - "The Woman in Me," Donna Summer
Donna's post-disco struggles continued with this seductive, breathless, pop ballad. It didn't get any higher than this, but I think it should have. She still sounded good on the radio, trends aside.
35 - "I'm Alive," Neil Diamond
Neil's last Top 40 to date was this pop-rocker that contrasts the harsh realities of life with the good things like flowers and babies, concluding that all in all, it's good to be breathing. Unabashed positivity, and far from an embarrassing way to go out, like his penultimate Top 40, "Heartlight," would have been.
36 - "The Clapping Song," Pia Zadora
One of the biggest punchlines of the early 80s, Zadora was born in Hoboken, New Jersey, and as a child appeared on Broadway and in the B-movie Santa Claus Conquers the Martians. In 1972, at the age of 18, she met 50-year-old Israeli businessman Meshulam Riklis. The couple married five years later, and Riklis then began using his considerable wealth to try and make Zadora an international star. In 1982, he financed her starring debut, Butterfly, which also featured among its cast Orson Welles and Ed McMahon. The movie bombed and was loathed by critics, but Zadora won a Golden Globe award for Best Female Newcomer for her performance. However, most believe that it was Riklis' extensive wining and dining of the Hollwood Foreign Press Asscociation that netted her the prize more than her acting. Shortly after that fiasco, Zadora appeared on the pop charts with this cover of a 1965 novelty hit by Shirley Ellis whose lyrics involve the death by misadventure of an alcoholic goose and a tobacco-abusing monkey, a girl who is denied a doll by her mother because she kissed a member of the military, and of course, clapping. I haven't heard Ellis' version, but as for this one...I wouldn't be at all surprised if there were financial enticements to DJs required to scrape it into the Top 40. I don't know this, of course, but listening to it...not good. Mediocre vocals over mediocre funk. Zadora's film career continued later in this year with The Lonely Lady, but its results were even more disastrous than Butterfly's, and her movie star dreams were dead. She's made some attempts at returns to recording, Broadway, and cabaret in the years since. She still never became a big star. but she divorced Riklis in 1993, and I imagine she's living pretty comfortably. Plus no one can take that Golden Globe away. But she didn't get the People's Global Golden Choice Award, losing out on that one to a real talent: Skip Bittman.
38 - "Tied Up," Olivia Newton-John
ONJ's penultimate Top 40 isn't as kinky as it sounds. It's just lite-funk about trying to figure out where a relationship stands. It's not bad, really. That voice can make me forgive a lot. And it's hard not to like a song with a flute solo.
40 - "Don't Tell Me You Love Me," Night Ranger
The San Francisco hard rock combo's first major hit is a sped-up rocker about not wanting a relationship to be more than physical. Arena-ready guitar soloing and keyboard flourishes abound. Brainless fun.
May 7, 1983
12 - "Even Now," Bob Seger and the Silver Bullet Band
Our old friends the Styx of Detroit picked up another of their hits with this okay pop-rocker about a woman who remains his raison d'etre after all this time. He's done better, he's done worse.
15 - "Photograph," Def Leppard
The Sheffield pop-metallers made their American breakthrough with this song about lusting after a celebrity. The video features a Marilyn Monroe impersonator, but singer Joe Elliott has said that he wasn't writing about her specifically. No matter. A fantastic pop song, and the best thing they've done.
16 - "Rio," Duran Duran
The Brit heartthrobs' second American hit was this fluttery synthpop number about a hot lady whose name means "river" in Spanish. I'm not sure she could acually "dance across the Rio Grande," but no big deal. More good good pop from these boys.
22 - "Mornin'," Al Jarreau
The Milwaukee-born jazz singer's second pop hit was this airy number that makes it clear that he's an AM person, as he sings morning greetings to his radio, his bowl of cereal, a bird, a bridge, and the man who shines his shoes. Myself, I've always find it hard to get started before 11, so this song doesn't really jibe with me. But the animated video is kinda cool.
24 - "Welcome to Heartlight," Kenny Loggins
Unlike the similarly-titled Neil Diamond hit, this song has nothing to do with E.T. Rather, it's a pop-rocker about a peaceful, beautiful place. It's okay as Kenny's non-movie songs go, but the slight island accent he affects on this doesn't do much for me.
25 - "It Might Be You," Stephen Bishop
San Diego singer-songwriter Bishop's last Top 40 hit was this ballad about finding love at last that came from Tootsie, the movie where Dustin Hoffman dresses in drag to get a part on a soap opera. That's a movie I'm not so embarrassed to say I saw in a theater. As for the song, though, it's sappy dreck. I'd much rather hear "On and On,"
26 - "Some Kind of Friend," Barry Manilow
The Man(ilow)'s next-to-last Top 40 was this sees him trying to keep up with the times with drum machines and synthesizers on a song about a relationship with a woman who only wants him for his money. I think that's it. Actually, he doesn't embarrass himself, but still, this isn't Barry in his natural habitat.
29 - "Stranger in My House," Ronnie Milsap
The country star's last pop hit was this dark, bluesy tune about suspecting a lover of stepping out on him. Apparently, some country stations didn't play this because the guitar solo sounded "too rock," and that's why it didn't go to #1 on that chart. Their loss, because it's the best thing I've heard from him.
30 - "So Wrong," Patrick Simmons
The once-and-future Doobie Brother had his only American solo hit with this fair bit of funk-pop about starcrossed lovers. The funny thing is, I have no problem imagining Michael McDonald singing this.
35 - "I Couldn't Say No," Robert Ellis Orrall with Carlene Carter
Orrall, a Boston-area singer-songwriter, and Carter, the daughter of country singer June Carter and her first husband, both made their only pop chart appearances with this cool little duet about romantic tribulation. It's kind of new-wave/rootsy power-pop. I like it a lot. Both Orrall and Carter went on to have country hits in the 90s, and in 2006, Orrall co-wrote one song and produced other tracks for the debut album by one Taylor Swift.
39 - "Whirly Girl," Oxo
Angel Ledesma, formerly of the two-hit disco band Foxy, formed a new group in the early 80s, and managed one minor hit with this boisterous pop number about a girl who really gets around ("She's been with the Rolling Stones, on their tours and in their homes.") Fun, frivolous, fantastic.
40 - "Gimme All Your Lovin'," ZZ Top
The first of the band's Eliminator hits was this grinding sex boogie. But of course, it was all about the video. In it, a young man is working at a gas station on a long stretch of desert highway when three hot women pull up in that distinctive red 1933 Ford. After they fill up and get refreshments, they are about to leave when all of a sudden, the band appears, and they toss him a set of keys hooked to a silver "ZZ" keychain. He shows it to the women, and they let him into their car and take him for a ride (read into that what you will). Later, they return to the gas station and let him out. But then we find out that it was all a dream...or was it? When he awakens, he finds the keychain next to him, and then a familiar old car speeds by. So of course, the kid hops in his truck and follows. We never find out if he catches it. And somehow, this is what began ZZ Top's rise to multiplatinum superstardom.
July 9, 1983
36 - "White Wedding," Billy Idol
The U.K. punk-popster's second American hit that's about...well, some kind of nuptial ceremony. But Billy makes it sound so sinister, and the frequent use of the word "shotgun" indicate that it might not be exactly a fairytale romance being celebrated. Even though it only made it as high as its position this week, it's one of his best-remembered hits, and one of his best period.
February 4, 1984
19 - "Wrapped Around Your Finger," The Police
The band's final American hit was this pop-rock tune about how Sting feels he is manipulating the person who thinks he or she is manipulating him. Of course, he's all obtuse and literary about it, but that's Sting. And at this point in time, he was making that work.
22 - "Nobody Told Me," John Lennon
Just over three years after his death, Milk and Honey, an album of recordings that Lennon and Yoko Ono were working on for the follow-up to Double Fantasy, was released. The first single, and biggest hit, from the album was this loose rocker with silly yet possibly profound lyrics. Apparently, this was originally written for Ringo, but in the end, I'm glad it remained John's, and provided a bittersweet coda to his pop career.
29 - "New Moon on Monday," Duran Duran
The Duranies again, this time with a slinky bit of new wave funk. The lyrics are pretty inscrutable, with mentions of lizard mixtures and lonely satellites. But they're pretty irrelevant, because the song grooves along amaziingly. Possibly my favorite song of theirs.
33 - "Nightbird," Stevie Nicks
Stevie's seventh hit without Fleetwood Mac is the kind of airy, floaty pop-rock she's known for. So much so that one imagines that a "Stevie Nicks Song Generator" could have come up with it. That doesn't make it bad, just...typical, I guess.
35 - "Bang Your Head (Metal Health)," Quiet Riot
These guys' second and last Top 40 was this ode to violently moving one's cranium to and fro using the neck. My brother used to do this quite a bit at concerts, and he says yes, it can cause aches and pains afterward. But you must make sacrifices for The Metal. Anyway, okay song, and nice to see they managed a hit without having to cover Slade.
36 - "This Woman," Kenny Rogers
Kenny's last solo pop hit was this Barry Gibb co-written tune on which he tells his ex how good he's got it with his new lover. Barry's backup vocals are instantly recognizable. Not country at all, but a decent enough pop song.
38 - "The Dream (Hold On to Your Dream)," Irene Cara
Cara's next-to-last hit was this inspirational dance-popper from D.C. Cab, a movie about Washington taxi drivers that featured Mr. T. and Gary Busey. Neither are very well-remembered, and I can't say that's an injustice of any kind.
March 31, 1984
27 - "New Song," Howard Jones
Jones' first hit was bouncy synthpop tune about looking at the world through different perspectives and "throw(ing) off your mental chains." I don't think many people will still admit to liking his stuff, but I think he was an underrated figure in 80s pop.
31 - "Let's Stay Together," Tina Turner
The seeds for Tina's 80s comeback were first sown when she appeared on a cover of The Temptations' "Ball of Confusion" by the British production team B.E.F. This led to a deal with Capitol records for a single, which turned out to be this B.E.F.-produced version of Al Green's 1971 charttopper. Turner gives a powerful performance that didn't make anyone forget Al, but still showed she still had the goods. The single only reached #26 in the U.S., but it was a U.K. Top Ten, and that convinced the label to let her do a whole album. And the rest is history.
June 9, 1984
26 - "Magic," The Cars
The second single from the band's Heartbeat City LP was this summery pop-rocker about the power of love and stuff. Just good catchy stuff, nothing more, nothing less.
31 - "Dance Hall Days," Wang Chung
The second American hit by these Brit New Wavers was this catchy tune that instructs you to take your partner by various body parts and do things to them. I don't think this was meant to start a dance craze. I should hope they weren't looking forward to people grabbing each other's ears and sticking jewelry in each other's facial orifices. Although who knows, maybe they were creepy that way.
32 - "Doctor! Doctor!" Thompson Twins
The unrelated three-person "twins" had their third American hit with this slow burner about how falling in love can feel like a fever. I might actually like this better than "Hold Me Now," "Lies," or anything else they've done. There's a hypnotic quality to it.
33 - "What is Love," Howard Jones
Jones' follow-up to "New Song" was this synthpop track that questions of the nature of romantic love. I probably have it #2 for him behind "No One is to Blame."
35 - "No Way Out," Jefferson Starship
The last hit this band had before dropping the "Jefferson" was this rock tune about trying to get away with straying in a relationship. I think that's it. Actually, it's a good song for them. Don't ask me to explain the video, though. A mustachioed Mickey Thomas enters a weird house where Grace Slick is some kind of bizarre variation of a nun, and then he goes to confession with Father Guido Sarducci, and then another mustachioed guy is lying in bed curling a barbell in front of a dancing Asian woman. It's art, I guess.
37 - "Whisper to a Scream (Birds Fly)," The Icicle Works
This Liverpool band's only major hit is this shimmering, stomping New Wave number that seems to be about how people are looking for direction in life. Regardless, it's one of those songs that's probably better remembered than many bigger hits, and deservedly so.
39 - "Don't Walk Away," Rick Springfield
The third hit from the Hard to Hold soundtrack is this power ballad about trying to convince someone you love them in spite of their faults and failings. It's okay, but the saxophone is more distracting than enhancing. That happened a lot in the 80s.
40 - "Music Time," Styx
The Bob Seger of Chicago's last 80s hit was the lone studio track from their live album Caught in the Act. As I've said before, this is even more of a Devo ripoff than "Mr. Roboto." And the lyrics are just Dennis DeYoung listing off things he likes. And somehow, I like this a lot. Apparently, Tommy Shaw didn't, though. I see his point, but I still think it's cheesily charming.
In Part Three: 1985-1988
July 12, 1980
25 - "The Empire Strikes Back (Medley)," Meco
Meco's second Star Wars-themed hit marked his second and final appearance in the Top 20. The usual discofication of the music, with added sound effects of lasers, lightsabers, Chewbacca, and R2D2. An interesting relic of its time.
34 - "Walks Like a Lady," Journey
The band's third Top 40 is this uncharacteristically jazzy strut with lyrics that are along the same lines as Bob Dylan's "Just Like a Woman." A cool little detour from big bold rock.
January 10, 1981
24 - "One Step Closer," The Doobie Brothers
The group's last hit with Michael McDonald was this tepid bit of MOR jazz-pop on which he shares lead vocals with saxophonist Cornelius Bumpus. Now that is a fantastic name, and easily the coolest thing I found looking this song up.
August 1, 1981
37 - "Don't Want to Wait Anymore," The Tubes
The first of two Top 40s by these San Francisco new wavers is a ballad about really desperately wanting to have sex with a woman, asking her to imagine them being the last two people on Earth, trapped in a frozen wasteland where they have to "make love to survive." The weirdest thing about it is it sounds much more like an 80s Chicago ballad that a song by the group that gave the world "White Punks on Dope" and "Don't Touch Me There." Oddly charming.
40 - "You're My Girl," Franke and the Knockouts
The middle hit by Mr. Previte and co. is uninspired, uninspiring corporate rock. Background music, at best.
June 12, 1982
10 - "It's Gonna Take a Miracle," Deneice Williams
The second solo hit for this native of Gary, Indiana was this cover of a 1965 R&B hit by The Royalettes. Silky soul about not being able to get over someone, co-produced by Philly soul legend Thom Bell. Good stuff, and I prefer it by a large margin over "Let's Hear It for the Boy."
Now that that's cleared up, let's move ahead.
February 26, 1983
33 - "The Woman in Me," Donna Summer
Donna's post-disco struggles continued with this seductive, breathless, pop ballad. It didn't get any higher than this, but I think it should have. She still sounded good on the radio, trends aside.
35 - "I'm Alive," Neil Diamond
Neil's last Top 40 to date was this pop-rocker that contrasts the harsh realities of life with the good things like flowers and babies, concluding that all in all, it's good to be breathing. Unabashed positivity, and far from an embarrassing way to go out, like his penultimate Top 40, "Heartlight," would have been.
36 - "The Clapping Song," Pia Zadora
One of the biggest punchlines of the early 80s, Zadora was born in Hoboken, New Jersey, and as a child appeared on Broadway and in the B-movie Santa Claus Conquers the Martians. In 1972, at the age of 18, she met 50-year-old Israeli businessman Meshulam Riklis. The couple married five years later, and Riklis then began using his considerable wealth to try and make Zadora an international star. In 1982, he financed her starring debut, Butterfly, which also featured among its cast Orson Welles and Ed McMahon. The movie bombed and was loathed by critics, but Zadora won a Golden Globe award for Best Female Newcomer for her performance. However, most believe that it was Riklis' extensive wining and dining of the Hollwood Foreign Press Asscociation that netted her the prize more than her acting. Shortly after that fiasco, Zadora appeared on the pop charts with this cover of a 1965 novelty hit by Shirley Ellis whose lyrics involve the death by misadventure of an alcoholic goose and a tobacco-abusing monkey, a girl who is denied a doll by her mother because she kissed a member of the military, and of course, clapping. I haven't heard Ellis' version, but as for this one...I wouldn't be at all surprised if there were financial enticements to DJs required to scrape it into the Top 40. I don't know this, of course, but listening to it...not good. Mediocre vocals over mediocre funk. Zadora's film career continued later in this year with The Lonely Lady, but its results were even more disastrous than Butterfly's, and her movie star dreams were dead. She's made some attempts at returns to recording, Broadway, and cabaret in the years since. She still never became a big star. but she divorced Riklis in 1993, and I imagine she's living pretty comfortably. Plus no one can take that Golden Globe away. But she didn't get the People's Global Golden Choice Award, losing out on that one to a real talent: Skip Bittman.
38 - "Tied Up," Olivia Newton-John
ONJ's penultimate Top 40 isn't as kinky as it sounds. It's just lite-funk about trying to figure out where a relationship stands. It's not bad, really. That voice can make me forgive a lot. And it's hard not to like a song with a flute solo.
40 - "Don't Tell Me You Love Me," Night Ranger
The San Francisco hard rock combo's first major hit is a sped-up rocker about not wanting a relationship to be more than physical. Arena-ready guitar soloing and keyboard flourishes abound. Brainless fun.
May 7, 1983
12 - "Even Now," Bob Seger and the Silver Bullet Band
Our old friends the Styx of Detroit picked up another of their hits with this okay pop-rocker about a woman who remains his raison d'etre after all this time. He's done better, he's done worse.
15 - "Photograph," Def Leppard
The Sheffield pop-metallers made their American breakthrough with this song about lusting after a celebrity. The video features a Marilyn Monroe impersonator, but singer Joe Elliott has said that he wasn't writing about her specifically. No matter. A fantastic pop song, and the best thing they've done.
16 - "Rio," Duran Duran
The Brit heartthrobs' second American hit was this fluttery synthpop number about a hot lady whose name means "river" in Spanish. I'm not sure she could acually "dance across the Rio Grande," but no big deal. More good good pop from these boys.
22 - "Mornin'," Al Jarreau
The Milwaukee-born jazz singer's second pop hit was this airy number that makes it clear that he's an AM person, as he sings morning greetings to his radio, his bowl of cereal, a bird, a bridge, and the man who shines his shoes. Myself, I've always find it hard to get started before 11, so this song doesn't really jibe with me. But the animated video is kinda cool.
24 - "Welcome to Heartlight," Kenny Loggins
Unlike the similarly-titled Neil Diamond hit, this song has nothing to do with E.T. Rather, it's a pop-rocker about a peaceful, beautiful place. It's okay as Kenny's non-movie songs go, but the slight island accent he affects on this doesn't do much for me.
25 - "It Might Be You," Stephen Bishop
San Diego singer-songwriter Bishop's last Top 40 hit was this ballad about finding love at last that came from Tootsie, the movie where Dustin Hoffman dresses in drag to get a part on a soap opera. That's a movie I'm not so embarrassed to say I saw in a theater. As for the song, though, it's sappy dreck. I'd much rather hear "On and On,"
26 - "Some Kind of Friend," Barry Manilow
The Man(ilow)'s next-to-last Top 40 was this sees him trying to keep up with the times with drum machines and synthesizers on a song about a relationship with a woman who only wants him for his money. I think that's it. Actually, he doesn't embarrass himself, but still, this isn't Barry in his natural habitat.
29 - "Stranger in My House," Ronnie Milsap
The country star's last pop hit was this dark, bluesy tune about suspecting a lover of stepping out on him. Apparently, some country stations didn't play this because the guitar solo sounded "too rock," and that's why it didn't go to #1 on that chart. Their loss, because it's the best thing I've heard from him.
30 - "So Wrong," Patrick Simmons
The once-and-future Doobie Brother had his only American solo hit with this fair bit of funk-pop about starcrossed lovers. The funny thing is, I have no problem imagining Michael McDonald singing this.
35 - "I Couldn't Say No," Robert Ellis Orrall with Carlene Carter
Orrall, a Boston-area singer-songwriter, and Carter, the daughter of country singer June Carter and her first husband, both made their only pop chart appearances with this cool little duet about romantic tribulation. It's kind of new-wave/rootsy power-pop. I like it a lot. Both Orrall and Carter went on to have country hits in the 90s, and in 2006, Orrall co-wrote one song and produced other tracks for the debut album by one Taylor Swift.
39 - "Whirly Girl," Oxo
Angel Ledesma, formerly of the two-hit disco band Foxy, formed a new group in the early 80s, and managed one minor hit with this boisterous pop number about a girl who really gets around ("She's been with the Rolling Stones, on their tours and in their homes.") Fun, frivolous, fantastic.
40 - "Gimme All Your Lovin'," ZZ Top
The first of the band's Eliminator hits was this grinding sex boogie. But of course, it was all about the video. In it, a young man is working at a gas station on a long stretch of desert highway when three hot women pull up in that distinctive red 1933 Ford. After they fill up and get refreshments, they are about to leave when all of a sudden, the band appears, and they toss him a set of keys hooked to a silver "ZZ" keychain. He shows it to the women, and they let him into their car and take him for a ride (read into that what you will). Later, they return to the gas station and let him out. But then we find out that it was all a dream...or was it? When he awakens, he finds the keychain next to him, and then a familiar old car speeds by. So of course, the kid hops in his truck and follows. We never find out if he catches it. And somehow, this is what began ZZ Top's rise to multiplatinum superstardom.
July 9, 1983
36 - "White Wedding," Billy Idol
The U.K. punk-popster's second American hit that's about...well, some kind of nuptial ceremony. But Billy makes it sound so sinister, and the frequent use of the word "shotgun" indicate that it might not be exactly a fairytale romance being celebrated. Even though it only made it as high as its position this week, it's one of his best-remembered hits, and one of his best period.
February 4, 1984
19 - "Wrapped Around Your Finger," The Police
The band's final American hit was this pop-rock tune about how Sting feels he is manipulating the person who thinks he or she is manipulating him. Of course, he's all obtuse and literary about it, but that's Sting. And at this point in time, he was making that work.
22 - "Nobody Told Me," John Lennon
Just over three years after his death, Milk and Honey, an album of recordings that Lennon and Yoko Ono were working on for the follow-up to Double Fantasy, was released. The first single, and biggest hit, from the album was this loose rocker with silly yet possibly profound lyrics. Apparently, this was originally written for Ringo, but in the end, I'm glad it remained John's, and provided a bittersweet coda to his pop career.
29 - "New Moon on Monday," Duran Duran
The Duranies again, this time with a slinky bit of new wave funk. The lyrics are pretty inscrutable, with mentions of lizard mixtures and lonely satellites. But they're pretty irrelevant, because the song grooves along amaziingly. Possibly my favorite song of theirs.
33 - "Nightbird," Stevie Nicks
Stevie's seventh hit without Fleetwood Mac is the kind of airy, floaty pop-rock she's known for. So much so that one imagines that a "Stevie Nicks Song Generator" could have come up with it. That doesn't make it bad, just...typical, I guess.
35 - "Bang Your Head (Metal Health)," Quiet Riot
These guys' second and last Top 40 was this ode to violently moving one's cranium to and fro using the neck. My brother used to do this quite a bit at concerts, and he says yes, it can cause aches and pains afterward. But you must make sacrifices for The Metal. Anyway, okay song, and nice to see they managed a hit without having to cover Slade.
36 - "This Woman," Kenny Rogers
Kenny's last solo pop hit was this Barry Gibb co-written tune on which he tells his ex how good he's got it with his new lover. Barry's backup vocals are instantly recognizable. Not country at all, but a decent enough pop song.
38 - "The Dream (Hold On to Your Dream)," Irene Cara
Cara's next-to-last hit was this inspirational dance-popper from D.C. Cab, a movie about Washington taxi drivers that featured Mr. T. and Gary Busey. Neither are very well-remembered, and I can't say that's an injustice of any kind.
March 31, 1984
27 - "New Song," Howard Jones
Jones' first hit was bouncy synthpop tune about looking at the world through different perspectives and "throw(ing) off your mental chains." I don't think many people will still admit to liking his stuff, but I think he was an underrated figure in 80s pop.
31 - "Let's Stay Together," Tina Turner
The seeds for Tina's 80s comeback were first sown when she appeared on a cover of The Temptations' "Ball of Confusion" by the British production team B.E.F. This led to a deal with Capitol records for a single, which turned out to be this B.E.F.-produced version of Al Green's 1971 charttopper. Turner gives a powerful performance that didn't make anyone forget Al, but still showed she still had the goods. The single only reached #26 in the U.S., but it was a U.K. Top Ten, and that convinced the label to let her do a whole album. And the rest is history.
June 9, 1984
26 - "Magic," The Cars
The second single from the band's Heartbeat City LP was this summery pop-rocker about the power of love and stuff. Just good catchy stuff, nothing more, nothing less.
31 - "Dance Hall Days," Wang Chung
The second American hit by these Brit New Wavers was this catchy tune that instructs you to take your partner by various body parts and do things to them. I don't think this was meant to start a dance craze. I should hope they weren't looking forward to people grabbing each other's ears and sticking jewelry in each other's facial orifices. Although who knows, maybe they were creepy that way.
32 - "Doctor! Doctor!" Thompson Twins
The unrelated three-person "twins" had their third American hit with this slow burner about how falling in love can feel like a fever. I might actually like this better than "Hold Me Now," "Lies," or anything else they've done. There's a hypnotic quality to it.
33 - "What is Love," Howard Jones
Jones' follow-up to "New Song" was this synthpop track that questions of the nature of romantic love. I probably have it #2 for him behind "No One is to Blame."
35 - "No Way Out," Jefferson Starship
The last hit this band had before dropping the "Jefferson" was this rock tune about trying to get away with straying in a relationship. I think that's it. Actually, it's a good song for them. Don't ask me to explain the video, though. A mustachioed Mickey Thomas enters a weird house where Grace Slick is some kind of bizarre variation of a nun, and then he goes to confession with Father Guido Sarducci, and then another mustachioed guy is lying in bed curling a barbell in front of a dancing Asian woman. It's art, I guess.
37 - "Whisper to a Scream (Birds Fly)," The Icicle Works
This Liverpool band's only major hit is this shimmering, stomping New Wave number that seems to be about how people are looking for direction in life. Regardless, it's one of those songs that's probably better remembered than many bigger hits, and deservedly so.
39 - "Don't Walk Away," Rick Springfield
The third hit from the Hard to Hold soundtrack is this power ballad about trying to convince someone you love them in spite of their faults and failings. It's okay, but the saxophone is more distracting than enhancing. That happened a lot in the 80s.
40 - "Music Time," Styx
The Bob Seger of Chicago's last 80s hit was the lone studio track from their live album Caught in the Act. As I've said before, this is even more of a Devo ripoff than "Mr. Roboto." And the lyrics are just Dennis DeYoung listing off things he likes. And somehow, I like this a lot. Apparently, Tommy Shaw didn't, though. I see his point, but I still think it's cheesily charming.
In Part Three: 1985-1988
Wednesday, July 24, 2013
Revenge of the 80s - Part One
I told you at the end of the last entry I might take a detour before getting to 1964, and here we are.
You see, even as I've been going off the beaten track, those classic 70s and 80s AT40 shows are still playing, and many of them contain songs I haven't given my thoughts on here as of yet. And because I got to the 80s more recently, there are many more of those uncovered nuggets from those countdowns. I will get to the 70s stuff eventually, but for now, I'm presenting a three-part look back at the stuff I've missed in these last seven months, starting with hits from '80 to '82.
March 1, 1980
38 - "When a Man Loves a Woman," Bette Midler
The first single from the soundtrack to Midler's film debut The Rose was this cover of Percy Sledge's 1966 classic, taken from a scene of her character, Mary Rose Foster, perfoming in concert. Midler's full-throated performance makes it much more clear that the character is based on Janis Joplin than the film's bigger hit title track. Good stuff, and way better than Michael Bolton.
39 - "I Thank You," ZZ Top
The Texas trio's second Top 40 single was this bluesy cover of a 1968 Sam and Dave hit which shows gratiude to a lover who "kisses so good I had to holler for help." It certainly sounds more like the songs that made their name in the 70s then the slicker stuff that made them multiplatinum MTV icons later in this decade.
May 17, 1980
31 - "Let Me Be the Clock," Smokey Robinson
Smokey's followup to "Cruisin'" was this ballad on which he calls himself a "cuckoo," and expresses a desire to be "the pendulum that strikes your chimes." Odd metaphors aside, I'll take it every day of the week over any of his other 80s ballads.
34 - "Gee Whiz," Bernadette Peters
Born Bernadette Lazzara in Queens in 1948, Peters began acting at the age of nine, and by the mid-70s, her curly locks and girlish singing voice had made her a Broadway star. Then she went to Hollywood, where she found success in films like Silent Movie and The Jerk, and in 1980, she released a self-titled album that contained her only pop hit, this cover of a 1960 Top Ten by Memphis soul star Carla Thomas. She tries to tone down her natural showy coo to sound more Linda Ronstadtish, but it manages to squeak through. Still, I always liked her voice for what it is, and this is nice. But I'd probably choose her stagey stuff or her performances as Rita on Animaniacs over this.
35 - "Headed For a Fall," Firefall
The penultimate Top 40 for these Colorado soft rockers is a countryish warning to a party girl that "you can't lose your troubles in the bubbles of your wine." Probably the best of what I've heard from them.
36 - "Starting Over Again," Dolly Parton
Dolly's first hit of the decade was this song about a couple that divorces after a long marriage and the struggles of moving on "when your dreams are all shattered and the kids are all grown." A remarkably mature topic for the pop charts, and it was a shock to learn that it was co-written by none other than Donna Summer. A really good song.
38 - "I Don't Want to Walk Without You," Barry Manilow
Barry kept his hit train rolling with this suitably old-fashioned cover of a 1941 Jule Styne/Frank Loesser song of loneliness. I don't need to hear this again, no siree.
40 - "We Live for Love," Pat Benatar
The rock diva's second Top 40 is a peppy tune about growing passions. She sings in an airier, more ethereal voice than her usual rasp. A cool change of pace.
July 12, 1980
38 - "King of the Hill," Rick Pinette and Oak
This New Hampshire band's only hit was this piano ballad about a guy who likes to brag about his success as he stands "high on Ego Mountain." The guy doesn't get his comeuppance or anything, but still, you get the feeling the Oak boys have a negative outlook on him. Even though he and his band never got huge, apparently Pinette did overindulge in the sex-and-drugs lifestyle, which eventually let him to become a minister. He has a website on which he not only spreads the gospel, he also sells CDs with titles like "Jazz for Jesus" and "TV Theme Songs with a Christian Twist."
January 10, 1981
23 - "Everybody's Got to Learn Sometime," The Korgis
This British band's only major hit is this ethereal ballad that reminds me quite a bit of 10cc. Simultaneously needful and uplifting. A forgotten gem.
32 - "I Believe in You," Don Williams
Texan Williams was a country mainstay from 1973 to 1992, a period during which he topped that chart 17 times. His only pop hit was this languid, drawling outlining of his philosophy, which is basically that the world may change, but love and the basics of life are still good and will get you through. Pleasant. That's my best description of it.
37 - "Cold Love," Donna Summer
After getting spacey with "The Wanderer," Summer came out with a straight-ahead rocker in the Pat Benatar vein. There's a little bit of a disco flavor to it, but not enough to be tarred with that brush. A solid tune, but it's not surprising that it wasn't that big a hit.
April 4, 1981
39 - "The Party's Over (Hopelessly in Love)," Journey
The only studio track from the band's live LP Captured is this mediocre pop-rocker about a breakup. This party couldn't end fast enough for me. But it was right after this that they put out the Escape album and became the true hit machine we all know today.
July 25, 1981
40 - "Give It to Me Baby," Rick James
James' second pop Top 40 was this funky plea for his significant other to provide him with "that sweet funky stuff." Three guesses as to what he was talking about. His usual, reliable libidousness.
August 1, 1981
16 - "Touch Me When We're Dancing," The Carpenters
Karen and Richard's final Top 40 was this romantic ballad about moving slowly in the arms of a lover. Not a great song, but Karen raises the material as usual. And it's nice that their last hit found her in a positive mood, given the way things sadly ended.
24 - "Don't Let Him Go," REO Speedwagon
The third hit from the band's breakthrough Hi Infidelity LP is an upbeat suggestion to a woman not to let a good man get away. I like the energy it has. A good changeup from the ballads they first struck gold with.
32 - "Double Dutch Bus," Frankie Smith
Philadelphia funkster Smith had his one major hit with this rap track that seems to only have a little bit to do with both skipping rope and public transportation. It does, however, feature Smith inserting the syllable "izz" into words, a practice that had a long underground history and was eventually brought to its greatest popularity by Snoop Dogg. Fizzunky stizzuff, tizzoo bizzee shizzure.
33 - "Rock and Roll Dreams Come Through," Jim Steinman
Okay, I've talked quite a bit on here about my love for Mr. Steinman's compositions and productions, and here we are with the only hit on which he is credited as an artist. This song was originally written for Meat Loaf's follow-up album to Bat Out of Hell, but when it came time to record the record, Meat had lost his voice, so Steinman decided to record it and the other songs he'd composed for that record for a solo album This predictably bombastic track about the power of music features lead vocals by Rory Dodd (the guy who would later sing "Turn around, bright eyes" on Bonnie Tyler's "Total Eclipse of the Heart." It hits all my Steinman sweet spots. A dozen years later, Meat Loaf would finally get his turn at it on Bat Out of Hell II. And I have to say, he did it much better.
January 30, 1982
18 - "Come Go With Me," The Beach Boys
This cover of a 1957 Del-Vikings hit was originally recorded in 1978 at an Iowa university founded by onetime guru-to-the-rock-stars Maharishi Mahesh Yogi, but wasn't released as a single until four years later. Not up to their standard, but nice enough. And better than a million "Kokomo"s.
April 17, 1982
35 - "Pop Goes the Movies," Meco
After cracking the charts with disco versions of themes from two Star Wars movies, Close Encounters of the Third Kind, and even The Wizard of Oz, Domenico Monardo eked out one last Top 40 with this medley of film flavorites (misspelling intentional, as a tribute to Seymour Skinner). It begins with the iconic trademark tune of 20th Century Fox, then goes on to incorporate music from Gone With The Wind; The Magnificent Seven; Goldfinger; The Good, The Bad and The Ugly; and The Apartment. It just strings them all together, Hooked on Classics-style. Not as interesting as his earlier interpretations. Uninspired.
37 - "Take Off," Bob and Doug McKenzie
And here it is, the point at which my fascination with the Top 40 and my love of SCTV finally truly intersect. Here's the story: after two seasons on Canada's Global Television, SCTV moved to the state-owned CBC, and that network mandated that the show include at least two minutes of "specific Canadian content." This baffled the show's staff, but eventually, they responded by creating a two-minute, tongue-in-cheek weekly segment called "The Great White North" which featured cast members Rick Moranis and Dave Thomas as the McKenzie brothers, two toque-clad Canuck stereotypes who sat in front of a map of Canada while drinking beer, cooking back bacon, and having discussions (frequently punctuated by the interjection "eh?") about such topics as doughnuts, snow chains on tires, and how there were too many teams in the NHL these days. Surprisingly, the characters became the breakout stars of the show; first at home, and then in the U.S. after the show was picked up for late-night airing by NBC. This led to Moranis and Thomas being signed to do a McKenzie Brothers comedy album. It mainly featured sketches, but Moranis, a former radio DJ, suggested that they could get more sales and airplay if the record included a song that could be a "hit single." So with the help of songwriters, and the enlistment of Moranis' former elementary schoolmate Geddy Lee of Rush, they created this pop-rock number. Basically, it consists of the brothers' "Coo-loo-coo-coo!" theme, the two of them aruguing about which one of them came up with the idea for the song, and Lee's choruses. Silly fun that cracked the Top 20 in America and helped the album go gold. Eventually, Moranis and Thomas left the show to film a McKenzie movie, the cult hit Strange Brew, and then went on to other, non-hoser-related projects. Beauty, eh?
June 12, 1982
24 - "Without You," Franke and the Knockouts
The third and final hit by these New Jersey footnotes was this unremarkable power ballad. Obscurity followed, though singer Franke Previte would later write the Dirty Dancing hit "(I've Had) The Time of My Life. Good for him. Bad for me.
26 - "When It's Over," Loverboy
The second hit from these Canadians biggest album, Get Lucky, was this state-of-the-art hard rocker about waiting for a girl to finally get dumped by the loser she's with so one can catch her on the rebound. I think that's it. About mid-pack in the ranking of their hits.
30 - "When He Shines," Sheena Easton
The Scottish popstress had her third American hit with this ballad about the guy she's mad for, who is, among other contradictions, "sometimes a tramp, sometimes a dude." And for some reason, the way she sings the word "dude" tickles me. The rest of the song isn't much.
32 - "Fantasy," Aldo Nova
This Montrealer, born Aldo Caporuscio, went double-platinum in America with his debut album. Much of that success was presumably powered by this hit, a fun hard rock tune that contains references to prostitution ("give you love if the price is right") and cocaine ("powder pleasure in your nose tonight," punctuated by an exaggerated sniff in case the message was lost on anyone). 80s air-guitar heaven.
35 - "I Don't Know Where to Start," Eddie Rabbitt
Rabbitt's last solo pop Top 40 was this acoustic ballad about going back to an ex's place to collect one's things and wondering where things all went wrong in the process. An understated number, which in its own way is more powerful than some of his showier hits.
38 - "Friends in Love," Dionne Warwick and Johnny Mathis
The legendary crooner Mathis teamed up with Warwick for his last pop hit to date, this ballad about a relationship losing its Platonicness. Both the song itself and the voices singing it raise it above that similarly-themed Gloria Loring-Carl Anderson duet from '86.
39 - "Murphy's Law," Cheri
The Montreal-based duo of American Rosalind Hunt and Canadian Lyn Cullerier peaked at this very spot with their only hit, a dance-pop ode to the adage that whatever can go wrong will go wrong. In this case, this befalls a guy who loses his house, his car, his girl, and his other girl. The most memorable parts of the song involve sped-up vocals, and they aren't really all that memorable.
July 24, 1982
32 - "If the Love Fits Wear It," Leslie Pearl
Pennsylvanian Pearl had most of her success in music writing both songs for other artists and commercial jingles. Her one hit as an aritst is this inoffensive, inconsequential bit of MOR. A prime example of "waiting-room pop."
35 - "I Found Somebody," Glenn Frey
The former Eagle's first solo hit was this R&Bish track about locating new love when it seemed unlikely. Just okay, but that's enough to make it more appealing to me than a lot of his other stuff.
36 - "Paperlate," Genesis
This band's sixth U.S. Top 40 was this rocker about...I'm really not sure. But it's catchy enough, and Earth, Wind and Fire's horn section add a kick to it. One of their better hits.
37 - "Nice Girls," Eye to Eye
This male/female, British/American duo had their only real hit with this slick bit of jazzy pop about a good girl who wants to go bad but just doesn't have it in her. Listening to it, it's no surprise that it was produced by Gary Katz, the man behind the boards behind all of Steely Dan's classics. A cool little discovery.
38 - "Love Plus One," Haircut One Hundred
The only American hit by these short-lived English New Wavers is this undeniably catchy pop song that makes fantastic uses of -phones bout saxo- and xylo-. Not sure what the lyrics mean, or why singer Nick Heyward is so scared of going down to the lake. Doesn't really matter, though. Just really good music.
39 - "Your Imagination," Daryl Hall and John Oates
The only single this duo released between 1981 and 1984 to miss the U.S. Top Ten was this rocker about a suspicious lover that's darker and more new wave-influenced than the stuff they were charting higher with. I don't really remember this, but I like it quite a bit. It hits similar sonic sweet spots to "Family Man."
In Part Two: 1983-1984.
You see, even as I've been going off the beaten track, those classic 70s and 80s AT40 shows are still playing, and many of them contain songs I haven't given my thoughts on here as of yet. And because I got to the 80s more recently, there are many more of those uncovered nuggets from those countdowns. I will get to the 70s stuff eventually, but for now, I'm presenting a three-part look back at the stuff I've missed in these last seven months, starting with hits from '80 to '82.
March 1, 1980
38 - "When a Man Loves a Woman," Bette Midler
The first single from the soundtrack to Midler's film debut The Rose was this cover of Percy Sledge's 1966 classic, taken from a scene of her character, Mary Rose Foster, perfoming in concert. Midler's full-throated performance makes it much more clear that the character is based on Janis Joplin than the film's bigger hit title track. Good stuff, and way better than Michael Bolton.
39 - "I Thank You," ZZ Top
The Texas trio's second Top 40 single was this bluesy cover of a 1968 Sam and Dave hit which shows gratiude to a lover who "kisses so good I had to holler for help." It certainly sounds more like the songs that made their name in the 70s then the slicker stuff that made them multiplatinum MTV icons later in this decade.
May 17, 1980
31 - "Let Me Be the Clock," Smokey Robinson
Smokey's followup to "Cruisin'" was this ballad on which he calls himself a "cuckoo," and expresses a desire to be "the pendulum that strikes your chimes." Odd metaphors aside, I'll take it every day of the week over any of his other 80s ballads.
34 - "Gee Whiz," Bernadette Peters
Born Bernadette Lazzara in Queens in 1948, Peters began acting at the age of nine, and by the mid-70s, her curly locks and girlish singing voice had made her a Broadway star. Then she went to Hollywood, where she found success in films like Silent Movie and The Jerk, and in 1980, she released a self-titled album that contained her only pop hit, this cover of a 1960 Top Ten by Memphis soul star Carla Thomas. She tries to tone down her natural showy coo to sound more Linda Ronstadtish, but it manages to squeak through. Still, I always liked her voice for what it is, and this is nice. But I'd probably choose her stagey stuff or her performances as Rita on Animaniacs over this.
35 - "Headed For a Fall," Firefall
The penultimate Top 40 for these Colorado soft rockers is a countryish warning to a party girl that "you can't lose your troubles in the bubbles of your wine." Probably the best of what I've heard from them.
36 - "Starting Over Again," Dolly Parton
Dolly's first hit of the decade was this song about a couple that divorces after a long marriage and the struggles of moving on "when your dreams are all shattered and the kids are all grown." A remarkably mature topic for the pop charts, and it was a shock to learn that it was co-written by none other than Donna Summer. A really good song.
38 - "I Don't Want to Walk Without You," Barry Manilow
Barry kept his hit train rolling with this suitably old-fashioned cover of a 1941 Jule Styne/Frank Loesser song of loneliness. I don't need to hear this again, no siree.
40 - "We Live for Love," Pat Benatar
The rock diva's second Top 40 is a peppy tune about growing passions. She sings in an airier, more ethereal voice than her usual rasp. A cool change of pace.
July 12, 1980
38 - "King of the Hill," Rick Pinette and Oak
This New Hampshire band's only hit was this piano ballad about a guy who likes to brag about his success as he stands "high on Ego Mountain." The guy doesn't get his comeuppance or anything, but still, you get the feeling the Oak boys have a negative outlook on him. Even though he and his band never got huge, apparently Pinette did overindulge in the sex-and-drugs lifestyle, which eventually let him to become a minister. He has a website on which he not only spreads the gospel, he also sells CDs with titles like "Jazz for Jesus" and "TV Theme Songs with a Christian Twist."
January 10, 1981
23 - "Everybody's Got to Learn Sometime," The Korgis
This British band's only major hit is this ethereal ballad that reminds me quite a bit of 10cc. Simultaneously needful and uplifting. A forgotten gem.
32 - "I Believe in You," Don Williams
Texan Williams was a country mainstay from 1973 to 1992, a period during which he topped that chart 17 times. His only pop hit was this languid, drawling outlining of his philosophy, which is basically that the world may change, but love and the basics of life are still good and will get you through. Pleasant. That's my best description of it.
37 - "Cold Love," Donna Summer
After getting spacey with "The Wanderer," Summer came out with a straight-ahead rocker in the Pat Benatar vein. There's a little bit of a disco flavor to it, but not enough to be tarred with that brush. A solid tune, but it's not surprising that it wasn't that big a hit.
April 4, 1981
39 - "The Party's Over (Hopelessly in Love)," Journey
The only studio track from the band's live LP Captured is this mediocre pop-rocker about a breakup. This party couldn't end fast enough for me. But it was right after this that they put out the Escape album and became the true hit machine we all know today.
July 25, 1981
40 - "Give It to Me Baby," Rick James
James' second pop Top 40 was this funky plea for his significant other to provide him with "that sweet funky stuff." Three guesses as to what he was talking about. His usual, reliable libidousness.
August 1, 1981
16 - "Touch Me When We're Dancing," The Carpenters
Karen and Richard's final Top 40 was this romantic ballad about moving slowly in the arms of a lover. Not a great song, but Karen raises the material as usual. And it's nice that their last hit found her in a positive mood, given the way things sadly ended.
24 - "Don't Let Him Go," REO Speedwagon
The third hit from the band's breakthrough Hi Infidelity LP is an upbeat suggestion to a woman not to let a good man get away. I like the energy it has. A good changeup from the ballads they first struck gold with.
32 - "Double Dutch Bus," Frankie Smith
Philadelphia funkster Smith had his one major hit with this rap track that seems to only have a little bit to do with both skipping rope and public transportation. It does, however, feature Smith inserting the syllable "izz" into words, a practice that had a long underground history and was eventually brought to its greatest popularity by Snoop Dogg. Fizzunky stizzuff, tizzoo bizzee shizzure.
33 - "Rock and Roll Dreams Come Through," Jim Steinman
Okay, I've talked quite a bit on here about my love for Mr. Steinman's compositions and productions, and here we are with the only hit on which he is credited as an artist. This song was originally written for Meat Loaf's follow-up album to Bat Out of Hell, but when it came time to record the record, Meat had lost his voice, so Steinman decided to record it and the other songs he'd composed for that record for a solo album This predictably bombastic track about the power of music features lead vocals by Rory Dodd (the guy who would later sing "Turn around, bright eyes" on Bonnie Tyler's "Total Eclipse of the Heart." It hits all my Steinman sweet spots. A dozen years later, Meat Loaf would finally get his turn at it on Bat Out of Hell II. And I have to say, he did it much better.
January 30, 1982
18 - "Come Go With Me," The Beach Boys
This cover of a 1957 Del-Vikings hit was originally recorded in 1978 at an Iowa university founded by onetime guru-to-the-rock-stars Maharishi Mahesh Yogi, but wasn't released as a single until four years later. Not up to their standard, but nice enough. And better than a million "Kokomo"s.
April 17, 1982
35 - "Pop Goes the Movies," Meco
After cracking the charts with disco versions of themes from two Star Wars movies, Close Encounters of the Third Kind, and even The Wizard of Oz, Domenico Monardo eked out one last Top 40 with this medley of film flavorites (misspelling intentional, as a tribute to Seymour Skinner). It begins with the iconic trademark tune of 20th Century Fox, then goes on to incorporate music from Gone With The Wind; The Magnificent Seven; Goldfinger; The Good, The Bad and The Ugly; and The Apartment. It just strings them all together, Hooked on Classics-style. Not as interesting as his earlier interpretations. Uninspired.
37 - "Take Off," Bob and Doug McKenzie
And here it is, the point at which my fascination with the Top 40 and my love of SCTV finally truly intersect. Here's the story: after two seasons on Canada's Global Television, SCTV moved to the state-owned CBC, and that network mandated that the show include at least two minutes of "specific Canadian content." This baffled the show's staff, but eventually, they responded by creating a two-minute, tongue-in-cheek weekly segment called "The Great White North" which featured cast members Rick Moranis and Dave Thomas as the McKenzie brothers, two toque-clad Canuck stereotypes who sat in front of a map of Canada while drinking beer, cooking back bacon, and having discussions (frequently punctuated by the interjection "eh?") about such topics as doughnuts, snow chains on tires, and how there were too many teams in the NHL these days. Surprisingly, the characters became the breakout stars of the show; first at home, and then in the U.S. after the show was picked up for late-night airing by NBC. This led to Moranis and Thomas being signed to do a McKenzie Brothers comedy album. It mainly featured sketches, but Moranis, a former radio DJ, suggested that they could get more sales and airplay if the record included a song that could be a "hit single." So with the help of songwriters, and the enlistment of Moranis' former elementary schoolmate Geddy Lee of Rush, they created this pop-rock number. Basically, it consists of the brothers' "Coo-loo-coo-coo!" theme, the two of them aruguing about which one of them came up with the idea for the song, and Lee's choruses. Silly fun that cracked the Top 20 in America and helped the album go gold. Eventually, Moranis and Thomas left the show to film a McKenzie movie, the cult hit Strange Brew, and then went on to other, non-hoser-related projects. Beauty, eh?
June 12, 1982
24 - "Without You," Franke and the Knockouts
The third and final hit by these New Jersey footnotes was this unremarkable power ballad. Obscurity followed, though singer Franke Previte would later write the Dirty Dancing hit "(I've Had) The Time of My Life. Good for him. Bad for me.
26 - "When It's Over," Loverboy
The second hit from these Canadians biggest album, Get Lucky, was this state-of-the-art hard rocker about waiting for a girl to finally get dumped by the loser she's with so one can catch her on the rebound. I think that's it. About mid-pack in the ranking of their hits.
30 - "When He Shines," Sheena Easton
The Scottish popstress had her third American hit with this ballad about the guy she's mad for, who is, among other contradictions, "sometimes a tramp, sometimes a dude." And for some reason, the way she sings the word "dude" tickles me. The rest of the song isn't much.
32 - "Fantasy," Aldo Nova
This Montrealer, born Aldo Caporuscio, went double-platinum in America with his debut album. Much of that success was presumably powered by this hit, a fun hard rock tune that contains references to prostitution ("give you love if the price is right") and cocaine ("powder pleasure in your nose tonight," punctuated by an exaggerated sniff in case the message was lost on anyone). 80s air-guitar heaven.
35 - "I Don't Know Where to Start," Eddie Rabbitt
Rabbitt's last solo pop Top 40 was this acoustic ballad about going back to an ex's place to collect one's things and wondering where things all went wrong in the process. An understated number, which in its own way is more powerful than some of his showier hits.
38 - "Friends in Love," Dionne Warwick and Johnny Mathis
The legendary crooner Mathis teamed up with Warwick for his last pop hit to date, this ballad about a relationship losing its Platonicness. Both the song itself and the voices singing it raise it above that similarly-themed Gloria Loring-Carl Anderson duet from '86.
39 - "Murphy's Law," Cheri
The Montreal-based duo of American Rosalind Hunt and Canadian Lyn Cullerier peaked at this very spot with their only hit, a dance-pop ode to the adage that whatever can go wrong will go wrong. In this case, this befalls a guy who loses his house, his car, his girl, and his other girl. The most memorable parts of the song involve sped-up vocals, and they aren't really all that memorable.
July 24, 1982
32 - "If the Love Fits Wear It," Leslie Pearl
Pennsylvanian Pearl had most of her success in music writing both songs for other artists and commercial jingles. Her one hit as an aritst is this inoffensive, inconsequential bit of MOR. A prime example of "waiting-room pop."
35 - "I Found Somebody," Glenn Frey
The former Eagle's first solo hit was this R&Bish track about locating new love when it seemed unlikely. Just okay, but that's enough to make it more appealing to me than a lot of his other stuff.
36 - "Paperlate," Genesis
This band's sixth U.S. Top 40 was this rocker about...I'm really not sure. But it's catchy enough, and Earth, Wind and Fire's horn section add a kick to it. One of their better hits.
37 - "Nice Girls," Eye to Eye
This male/female, British/American duo had their only real hit with this slick bit of jazzy pop about a good girl who wants to go bad but just doesn't have it in her. Listening to it, it's no surprise that it was produced by Gary Katz, the man behind the boards behind all of Steely Dan's classics. A cool little discovery.
38 - "Love Plus One," Haircut One Hundred
The only American hit by these short-lived English New Wavers is this undeniably catchy pop song that makes fantastic uses of -phones bout saxo- and xylo-. Not sure what the lyrics mean, or why singer Nick Heyward is so scared of going down to the lake. Doesn't really matter, though. Just really good music.
39 - "Your Imagination," Daryl Hall and John Oates
The only single this duo released between 1981 and 1984 to miss the U.S. Top Ten was this rocker about a suspicious lover that's darker and more new wave-influenced than the stuff they were charting higher with. I don't really remember this, but I like it quite a bit. It hits similar sonic sweet spots to "Family Man."
In Part Two: 1983-1984.
Thursday, July 11, 2013
July 6, 1963 Part Two
1963, concluded.
20 - "Not Me," The Orlons
The fourth of five Top 40s for this Philly quartet is this song about a troublemaker who makes sure not to get into too much trouble, because "I ain't no boxer." I think that's it. Catchy tune, good for twisting, not bad.
19 - "Still," Bill Anderson
Georgia-raised Anderson had ambitions to become a sportswriter, but country music would become his career, and he racked up over 50 Top 40s on the C&W charts, including six #1s. The second of those, and his only major pop hit, was this weepie about not being able to get over a breakup. He sings the choruses and speaks the verses, both in a voice that reveals how he earned the nickname "Whisperin' Bill." Perfect for wallowing drunkenly in heartbreak.
18 - "Fingertips (Part 2)," Little Stevie Wonder
Born Stevland Morris in Saginaw, Michigan, Wonder's blindness did not prevent him from excelling at a number of musical instruments, and his prodigious talents eventually attracted the attention of Motown Records, who signed him when he was just 11. Two years later, a live recording of him performing during one of Motown's all-star revue shows was released as a single, and it was the B-side, on which he added lyrics to what had been an instrumental up to that point, went all the way to #1. The lyrics are inconsequential, but what shines through is Stevie's amazing energy and soul on both his singing and harmonica playing. And the reaction of the crowd just makes it abundantly clear that you're listening to something, and someone, special. The beginning of one of pop's most extraordinary and influential careers.
17 - "Wipe Out," The Surfaris
The only hit by this California quartet was this immortal instrumental inspired by surfers falling off of their boards. From the creepy laugh and call out of the title, to that distinctive drum part, to the extremely earwormy guitar hook, this was destined to never be forgotten. And to think it was originally the B-side of a song called "Surfer Joe."
16 - "My Summer Love," Ruby and the Romantics
Ruby Nash and her male backing quartet originated in Akron, Ohio, and earlier in '63, they topped the charts with debut single "Our Day Will Come." Their follow-up disc, a sultry plea to take a chance on romance during the hottest of the seasons, only made it as high as it is this week, but it's still high quality lovey-dovey pop. They'd only have one more hit right after this, but they kept plugging away until finally breaking up in 1971.
15 - "Pride and Joy," Marvin Gaye
Originally from Washington, D.C., Gaye originally wanted to be an Air Force pilot, but after his stint in the military didn't turn out as he'd planned, he returned home and sang with a couple of vocal groups until an encounter with Berry Gordy resulted in his signing to Motown in 1961. On his second pop Top 40 (and first Top Ten), is a little grittier and piano-boogier than the sound Motown would become known for. A cool little sneak peek at the brilliant career to come.
14 - "On Top of Spaghetti," Tom Glazer and the Do-Re-Mi Children's Chorus
In 1951, folk group The Weavers had a #2 hit with their version of an Appalachian folk ballad about lost love called "On Top of Old Smoky." Twelve years later, another folkie, Tom Glazer, gathered together a group of children and recorded a parody of that song, with lyrics about a meatball which rolled off the table "when somebody sneezed," eventually rolling out the kitchen door and into the garden, where it planted itself in the ground and later grew into a meatball tree. I'm sure we all learned this one as kids, but raise your hand if you knew it was actually a hit. My hand is down. Anyway, I'm giving this the Uneasy Rider for the week.
13 - "Da Doo Ron Ron," The Crystals
The fifth Top 40 by one of Phil Spector's flagship girl groups was this Wall of Sound powered classic about finding true love with a guy named Bill. This only hit #3, and yet Shaun Cassidy's version was a #1. Where's the justice in that?
12 - "Those Lazy-Hazy-Crazy Days of Summer," Nat King Cole
The man born Nathaniel Coles first became famous on radio and record with his jazz trio in the late 30s, then became one of the world's most popular and influential singers in the pre-rock era. He would continue to have hits right up until his death from lung cancer in 1965, and this peppy pop tribute to the season of "soda and pretzels and beer," girls in bikinis, and couples making out at the drive-in movies, was his last Top Ten. A bit square, but still evocative of good times, and that voice is always a pleasure to listen to.
11 - "You Can't Sit Down," The Dovells
The last hit for these Philadelphians of "Bristol Stomp" fame was this lyrics-added cover of a 1961 instrumental by The Phil Upchurch Combo. And with that beat, that groove, and those handclaps, the song's title tells the truth. You can almost picture all the shakes and shimmies that were done to this back in the day.
The Top Ten can 'cause they mix it with love and make the world taste good.
10 - "Tie Me Kangaroo Down, Sport," Rolf Harris
Born in Australia in 1930, Harris was a prize-winning painter before moving to England in 1952. There, he began careers in television and music, the latter producing a number of hits in both his native and adopted lands. But his only American hit was this novelty record about a dying livestock owner who, with his last breaths, instructs his friends on what to do with his various animals (and in one verse that was supposedly removed in 1960 but is in all the versions I've found so far, he asks someone to "let me Abos go loose;" i.e., send away his Aborigine servants). In the penultimate verse, he asks one buddy to play his didgeridoo as he shakes off this mortal coil, then in the last one, we learn that his friend Fred had "tanned his hide" as per his very last request. Extremely odd, not just for the words but for the self-invented instrument known as the "wobble board" Harris plays throughout. I've decided to give it an Uneasy Rider as well. And yes, Harris has since said he regrets that one racist verse.
9 - "So Much in Love," The Tymes
This Philly quartet topped the charts with their debut single, this smooth bit of romantic doo-wop. Simple goodness, and much better than All-4-One's 1993 cover. They would have two more Top 40s in '63, then picked up one more in 1974 with "You Little Trustmaker."
8 - "Memphis," Lonnie Mack
Indiana guitarist Mack is credited with inventing the "blues-rock" genre, and you can tell why on his instrumental cover of a 1959 Chuck Berry track. Certainly everyone from the Stones to the Allmans could have, and probably did, draw some inspiration from its distinctive sound.
7 - "Surf City," Jan and Dean
Californians Jan Berry and Dean Torrence had picked up a few hits in the early 50s and late 60s, but it wasn't until they met Brian Wilson and started recording so similar to The Beach Boys that many to this day confuse the two that they had their biggest run of success. The first, and most popular, song from that streak is this Wilson-co-written number about driving in an old Ford station wagon to a mythical burg where the surf is high, the parties are plentiful, and most importantly, there are "two girls for every boy." Another of those evergreen oldies.
6 - "One Fine Day," The Chiffons
This is another girl group that I had thought were produced by Phil Spector but apparently weren't. Their first hit, "He's So Fine, was a Number One, and its follow-up, this Carole King/Gerry Goffin number about eternal romantic optimism, also made the Top Ten. Solid, and proof that King's 1980 cover version was completely unnecessary. It's also a good song to have on in the background if you're a ten-year-old boy serving drinks at a Mafia hideout.
5 - "It's My Party," Lesley Gore
Lesley Sue Goldstein, from Tenafly, New Jersey, was just 16 when her debut single went all the way to the top of the charts. We all know the story of how poor Lesley was betrayed, on her birthday no less, by that bitch Judy, who came strolling in to her party wearing a ring belonging to Lesley's presumed boyfriend Johnny. Fun to sing along to, and significant for being the first major hit produced by the legendary Quincy Jones. Oh, and in case you aren't aware, Gore got the last laugh by winning Johnny back on the follow-up hit "Judy's Turn to Cry."
4 - "Hello Stranger," Barbara Lewis
Lewis, from Ann Arbor, Michigan, had her first hit with this self-penned mood-setter about reunited lovers. From Lewis' lead, to the backup vocals, to the organ, it beats Yvonne Elliman's 1977 cover all ends up. Sexxxay.
3 - "Blue on Blue," Bobby Vinton
The Polish Prince's second Top Ten was this okay heartbreak ballad. He does okay, but he has better songs.
2 - "Sukiyaki," Kyu Sakamoto
Hiroshi Sakamoto, who was nicknamed "Kyu" after the Japanese word for "nine" due to his birth order, was born just three days after the invasion of Pearl Harbor. In his teens, he began a singing career, and in 1963, he scored an American #1 with a song he'd had a hit with at home two years prior. Sung in his native tongue, it's a jazzy pop song about a man trying not to let the world see his tears, although what he is sad about is unclear. The song's original title was “Ue O Muite Aruko” (I Look Up When I Walk), but the people behind its release in English-speaking nations decide to change it to an easier-to-remember name, in this case, the name of a beef dish. Not exactly respectful. Anyway, it's a good song, and I like Sakamoto's wistful whistling.
And the Number One tune in America 50 years ago was...
1 - "Easier Said Than Done," The Essex
This four-man, one-woman vocal group were all Marines stationed in North Carolina when they formed, and their first and biggest hit was this catchy pop number about romantic shyness. All right, but it's another song that falls into the "This went to #1?" category. Anyway, the group picked up one more Top 40 after this, but as you might expect, their military duties wound up stunting their musical career.
I'll be covering a 1964 chart in about three weeks, but there may or may not be a different entry between now and then. Stay tuned.
20 - "Not Me," The Orlons
The fourth of five Top 40s for this Philly quartet is this song about a troublemaker who makes sure not to get into too much trouble, because "I ain't no boxer." I think that's it. Catchy tune, good for twisting, not bad.
19 - "Still," Bill Anderson
Georgia-raised Anderson had ambitions to become a sportswriter, but country music would become his career, and he racked up over 50 Top 40s on the C&W charts, including six #1s. The second of those, and his only major pop hit, was this weepie about not being able to get over a breakup. He sings the choruses and speaks the verses, both in a voice that reveals how he earned the nickname "Whisperin' Bill." Perfect for wallowing drunkenly in heartbreak.
18 - "Fingertips (Part 2)," Little Stevie Wonder
Born Stevland Morris in Saginaw, Michigan, Wonder's blindness did not prevent him from excelling at a number of musical instruments, and his prodigious talents eventually attracted the attention of Motown Records, who signed him when he was just 11. Two years later, a live recording of him performing during one of Motown's all-star revue shows was released as a single, and it was the B-side, on which he added lyrics to what had been an instrumental up to that point, went all the way to #1. The lyrics are inconsequential, but what shines through is Stevie's amazing energy and soul on both his singing and harmonica playing. And the reaction of the crowd just makes it abundantly clear that you're listening to something, and someone, special. The beginning of one of pop's most extraordinary and influential careers.
17 - "Wipe Out," The Surfaris
The only hit by this California quartet was this immortal instrumental inspired by surfers falling off of their boards. From the creepy laugh and call out of the title, to that distinctive drum part, to the extremely earwormy guitar hook, this was destined to never be forgotten. And to think it was originally the B-side of a song called "Surfer Joe."
16 - "My Summer Love," Ruby and the Romantics
Ruby Nash and her male backing quartet originated in Akron, Ohio, and earlier in '63, they topped the charts with debut single "Our Day Will Come." Their follow-up disc, a sultry plea to take a chance on romance during the hottest of the seasons, only made it as high as it is this week, but it's still high quality lovey-dovey pop. They'd only have one more hit right after this, but they kept plugging away until finally breaking up in 1971.
15 - "Pride and Joy," Marvin Gaye
Originally from Washington, D.C., Gaye originally wanted to be an Air Force pilot, but after his stint in the military didn't turn out as he'd planned, he returned home and sang with a couple of vocal groups until an encounter with Berry Gordy resulted in his signing to Motown in 1961. On his second pop Top 40 (and first Top Ten), is a little grittier and piano-boogier than the sound Motown would become known for. A cool little sneak peek at the brilliant career to come.
14 - "On Top of Spaghetti," Tom Glazer and the Do-Re-Mi Children's Chorus
In 1951, folk group The Weavers had a #2 hit with their version of an Appalachian folk ballad about lost love called "On Top of Old Smoky." Twelve years later, another folkie, Tom Glazer, gathered together a group of children and recorded a parody of that song, with lyrics about a meatball which rolled off the table "when somebody sneezed," eventually rolling out the kitchen door and into the garden, where it planted itself in the ground and later grew into a meatball tree. I'm sure we all learned this one as kids, but raise your hand if you knew it was actually a hit. My hand is down. Anyway, I'm giving this the Uneasy Rider for the week.
13 - "Da Doo Ron Ron," The Crystals
The fifth Top 40 by one of Phil Spector's flagship girl groups was this Wall of Sound powered classic about finding true love with a guy named Bill. This only hit #3, and yet Shaun Cassidy's version was a #1. Where's the justice in that?
12 - "Those Lazy-Hazy-Crazy Days of Summer," Nat King Cole
The man born Nathaniel Coles first became famous on radio and record with his jazz trio in the late 30s, then became one of the world's most popular and influential singers in the pre-rock era. He would continue to have hits right up until his death from lung cancer in 1965, and this peppy pop tribute to the season of "soda and pretzels and beer," girls in bikinis, and couples making out at the drive-in movies, was his last Top Ten. A bit square, but still evocative of good times, and that voice is always a pleasure to listen to.
11 - "You Can't Sit Down," The Dovells
The last hit for these Philadelphians of "Bristol Stomp" fame was this lyrics-added cover of a 1961 instrumental by The Phil Upchurch Combo. And with that beat, that groove, and those handclaps, the song's title tells the truth. You can almost picture all the shakes and shimmies that were done to this back in the day.
The Top Ten can 'cause they mix it with love and make the world taste good.
10 - "Tie Me Kangaroo Down, Sport," Rolf Harris
Born in Australia in 1930, Harris was a prize-winning painter before moving to England in 1952. There, he began careers in television and music, the latter producing a number of hits in both his native and adopted lands. But his only American hit was this novelty record about a dying livestock owner who, with his last breaths, instructs his friends on what to do with his various animals (and in one verse that was supposedly removed in 1960 but is in all the versions I've found so far, he asks someone to "let me Abos go loose;" i.e., send away his Aborigine servants). In the penultimate verse, he asks one buddy to play his didgeridoo as he shakes off this mortal coil, then in the last one, we learn that his friend Fred had "tanned his hide" as per his very last request. Extremely odd, not just for the words but for the self-invented instrument known as the "wobble board" Harris plays throughout. I've decided to give it an Uneasy Rider as well. And yes, Harris has since said he regrets that one racist verse.
9 - "So Much in Love," The Tymes
This Philly quartet topped the charts with their debut single, this smooth bit of romantic doo-wop. Simple goodness, and much better than All-4-One's 1993 cover. They would have two more Top 40s in '63, then picked up one more in 1974 with "You Little Trustmaker."
8 - "Memphis," Lonnie Mack
Indiana guitarist Mack is credited with inventing the "blues-rock" genre, and you can tell why on his instrumental cover of a 1959 Chuck Berry track. Certainly everyone from the Stones to the Allmans could have, and probably did, draw some inspiration from its distinctive sound.
7 - "Surf City," Jan and Dean
Californians Jan Berry and Dean Torrence had picked up a few hits in the early 50s and late 60s, but it wasn't until they met Brian Wilson and started recording so similar to The Beach Boys that many to this day confuse the two that they had their biggest run of success. The first, and most popular, song from that streak is this Wilson-co-written number about driving in an old Ford station wagon to a mythical burg where the surf is high, the parties are plentiful, and most importantly, there are "two girls for every boy." Another of those evergreen oldies.
6 - "One Fine Day," The Chiffons
This is another girl group that I had thought were produced by Phil Spector but apparently weren't. Their first hit, "He's So Fine, was a Number One, and its follow-up, this Carole King/Gerry Goffin number about eternal romantic optimism, also made the Top Ten. Solid, and proof that King's 1980 cover version was completely unnecessary. It's also a good song to have on in the background if you're a ten-year-old boy serving drinks at a Mafia hideout.
5 - "It's My Party," Lesley Gore
Lesley Sue Goldstein, from Tenafly, New Jersey, was just 16 when her debut single went all the way to the top of the charts. We all know the story of how poor Lesley was betrayed, on her birthday no less, by that bitch Judy, who came strolling in to her party wearing a ring belonging to Lesley's presumed boyfriend Johnny. Fun to sing along to, and significant for being the first major hit produced by the legendary Quincy Jones. Oh, and in case you aren't aware, Gore got the last laugh by winning Johnny back on the follow-up hit "Judy's Turn to Cry."
4 - "Hello Stranger," Barbara Lewis
Lewis, from Ann Arbor, Michigan, had her first hit with this self-penned mood-setter about reunited lovers. From Lewis' lead, to the backup vocals, to the organ, it beats Yvonne Elliman's 1977 cover all ends up. Sexxxay.
3 - "Blue on Blue," Bobby Vinton
The Polish Prince's second Top Ten was this okay heartbreak ballad. He does okay, but he has better songs.
2 - "Sukiyaki," Kyu Sakamoto
Hiroshi Sakamoto, who was nicknamed "Kyu" after the Japanese word for "nine" due to his birth order, was born just three days after the invasion of Pearl Harbor. In his teens, he began a singing career, and in 1963, he scored an American #1 with a song he'd had a hit with at home two years prior. Sung in his native tongue, it's a jazzy pop song about a man trying not to let the world see his tears, although what he is sad about is unclear. The song's original title was “Ue O Muite Aruko” (I Look Up When I Walk), but the people behind its release in English-speaking nations decide to change it to an easier-to-remember name, in this case, the name of a beef dish. Not exactly respectful. Anyway, it's a good song, and I like Sakamoto's wistful whistling.
And the Number One tune in America 50 years ago was...
1 - "Easier Said Than Done," The Essex
This four-man, one-woman vocal group were all Marines stationed in North Carolina when they formed, and their first and biggest hit was this catchy pop number about romantic shyness. All right, but it's another song that falls into the "This went to #1?" category. Anyway, the group picked up one more Top 40 after this, but as you might expect, their military duties wound up stunting their musical career.
I'll be covering a 1964 chart in about three weeks, but there may or may not be a different entry between now and then. Stay tuned.
Sunday, July 7, 2013
July 6, 1963 Part One
Early July, 1963. The United States Postal Sevice introduces zip codes, the Catholic Church starts allowing cremations, and my Dad turned 17. And on the radio...
40 - "Your Old Standby," Mary Wells
The Motown songstress' sixth Top 40 got no higher than this. Co-written by Smokey Robinson, it's a cool ballad about not wanting to settle for being the person one's beloved turns to after breakups with others. Should have been a bigger hit. But her ultimate reward, a #1 in the form of "My Guy," was just a year away.
39 - "The Good Life," Tony Bennett
Born Anthony Benedetto in 1926, Bennett got his big break in 1949 when Bob Hope saw him open for singer Pearl Bailey and was impressed enough to take the young man on the road with him. This led to a record deal, and Bennett would score 20 Top 40 hits and three #1s between 1951 and 1954. His career cooled a bit after the emergence of rock and roll, but among the thirteen Top 40s he scored between '55 and '65 were his signature song "I Left My Heart in San Francisco," and this ballad about how having success and its trappings can't really mask a broken heart. I think that's it. Anyway, the voice is golden, and both as a singer and as a person, it seems like he deserved the return to the spotlight that began in the 90s and reached a crescendo when he finally topped the album charts for the first time two years ago with Duets II. I don't think there's another singer that's been born whom I'd prefer to welcome me upon my arrival in Capital City.
38 - "Hopeless," Andy Williams
Iowa-born Williams old-school pop crooning powered 27 Top 40 hits between 1956 and 1972, his only #1 being 1957's "Butterfly. This country-tinged loneliness lament is smoothly delivered, but I imagine it would sound better in the hands of someone with a little more character to their voice. Oh, and even though "Moon River" is the song he's best known for, he never released it as a single. Just one of those weird things.
37 - "Without Love (There is Nothing)," Ray Charles
Brother Ray with a slow, orchestrated blues about how you can have success and material riches, but they are meaningless if they cost you someone special. Primo cry-in-your-beer stuff.
36 - "Surfin' U.S.A.," The Beach Boys
The Hawthorne, California combo made up of the three Wilson brothers, their cousin Mike Love, and their friend Al Jardine, scored their second Top 40 and first Top Ten with this ode to waxing up longboards and riding waves near various beaches in California, Hawaii, and even Australia. They borrowed the tune to Chuck Berry's "Sweet Little Sixteen," but they always credited him, unlike some people. Another oldies staple that hasn't lost its lustre.
35 - "No One," Ray Charles
More Ray, this time in a happier mood, even though the wonderful person he's singing the praises of apparently ended up breaking his heart. For some reason, I think the ideal medium on which to hear this and a lot of his songs of this era is a good old-fashioned jukebox in a slightly seedy bar.
34 - "If My Pillow Could Talk," Connie Francis
Connie keeps up her perfect record of appearances on our 60s lists. The hits were starting to run out, but this R&B-flavored number about crying over lost love is my favorite of the ones we've covered here. Her versatility is quite impressive.
33 - "I Wish I Were a Princess," Little Peggy March
The Philadelphia area was still producing pop stars at this time, and the latest of which was a girl born Margaret Battavio who was just 15 and stood a mere four-foot-nine when she went to #1 in April of this year with "I Will Follow Him." Her follow-up was this song in which she declares that if she acquired her desired position, she would "pass the greatest law in history." Well, one thing's for sure, she's not talking about DOMA. She would only have one more Top 40 in America, but between 1965 and 1980 she'd have 23 of them...in Germany.
32 - "Detroit City," Bobby Bare
The pride of Ironton, Ohio, Bare's first hit was the 1958 #2 "The All American Boy," but due to a mix-up, it was credited to Bill Parsons. Five years later, here he is with the second pop Top 40 (and first counrty Top Ten) he was actually credited for. Co-written by Mel Tillis, who'd go on to have a successful singing career in his own right, it's about a Southern boy who finds life in Motown not as fulfilling as he'd hoped. "By day I make the cars, by night I make the bars," he sings. Solid C&W. And coolest of all, he'd later record some songs by Shel Silverstien, my favorite of these being "The Winner."
31 - "Shut Down," The Beach Boys
The flip side of "Surfin' U.S.A." sees the boys singing about one of their other stock subjects: cars. In this case, their Corvette Stingray, which defeats a rival's Dodge Dart in a drag race. The sax solo on this sounds out of place, but in a good way. Tach it up.
30 - "I Love You Because," Al Martino
Before getting slapped by Brando, the man born Jasper Cini in Philly made his breakthrough in 1952 with the #1 "Here in My Heart." But he'd been out of the Top 40 for ten years before returning with a cover of a 1949 country hit by "Blind Balladeer" Leon Payne. Martino squarely croons this number that pays tribute to a steadfast lover, whom he loves most of all "because you're you." Aw. Professionally performed, but nothing exciting to these ears.
29 - "Come and Get These Memories," Martha and the Vandellas
The Motown trio of Martha Reeves, Rosalind Ashford and Annette Beard had their first Top 40 hit with this Holland-Dozier-Holland number about returning an ex's gifts, which in this case include valentines, a teddy bear, a record of "their song" and a ring. Solid soul, and a good table setter for the smashes to come.
28 - "Just One Look," Doris Troy
Bronx native Troy had just one hit, but it was a pretty good one. Gritty-but-sweet soul about love at first sight. Undeniable. A nust for any sixties dance party. Or for young boys ogling a Pepsi can held by Cindy Crawford.
27 - "First Quarrel," Paul and Paula
Ray Hildebrand and Jill Jackson were both attending the same college in Texas when they formed a singing duo. In 1962, a local DJ invited them to sing some of their songs in his studio for a cancer benefit. One of those songs, a number in which they played the characters of young lovers "Paul" and "Paula," eventually attacted record label attention and became a million-selling #1. They'd have a few more hits before going their separate ways in 1965, including this one about, well, I think the title gives it away. An insignificant song about an insignificant tiff. But they did start a trend of record companies signing male-female duos, so without them, we may not have had Sonny and Cher.
26 - "18 Yellow Roses," Bobby Darin
The versatile singer scored his eighth Top Ten with this latin-flavored country tune about a man who finds that the titular flowes have been delivered to the special lady he lives with, with a note that says they're from someone who loves her "though you belong to another." The guy is surprised, but eventually decides there's only one thing left to do...meet this boy and find out what his intentions are towards his daughter. Quite a twist, huh? Strange, but certainly not "Butterfly Kisses"-creepy. And Darin apparently went out of his way to make everything about this record sound like Marty Robbins, and fortunately, Robbins was flattered.
25 - "String Along," Ricky Nelson
The TV heartthrob continues his run of hits with this chugging pop-rocker that has a similar theme to "Your Old Standby." Like the guitar solo. This guy was legit.
24 - "Ring of Fire," Johnny Cash
The one and only Man in Black had been scoring country smashes since 1955, and once in a while he'd cross over to the pop list with songs like this, this mariachi-flavored comparison of unrequited romance and the torture it can cause. It was co-written by June Carter, who was reportedly inspired by the feelngs she had for her then-married future husband. Apparently, Cash's then-wife claims that this isn't true. She says an intoxicated Johnny wrote the song himself, using "ring of fire" as a euphemism for "vagina." He later gave June a co-writing credit because Carter wasn't doing well financially, according to the first Mrs. Cash. Who knows what's true? But in the end, the song exists, it's fantastic, and that's all that matters.
23 - "Falling," Roy Orbison
Roy again, this time with a gorgeously seductive seduction tango. Not as famous as the single that immediately preceded it (the mighty "In Dreams"), but still, another golden nugget from one of pop's Midases.
22 - "Birdland," Chubby Checker
Another Philadelphia product, the man born Ernest Evans became a huge star in the early 60s with a number of songs about dances, from The Fly to The Pony to the "Limbo Rock," and of course, "The Twist." I'm not sure what's involved in doing the "Birdland," but apparently a lot of people like it, and there's a girl named Susie who's really good at it. Okay, but his other songs are more famous for a reason.
21 - "Harry the Hairy Ape," Ray Stevens
The third hit for the noveltymeister born Harold Ragsdale is about an escaped zoo animal who is discovered by a DJ and becomes a rock star. Decent silliness, powered by Stevens' cartoonish voice and motormouthed delivery. He had his moments. Emphasis on "had."
In Part Two: lost food, marsupial restraint, and a visitor from the East.
40 - "Your Old Standby," Mary Wells
The Motown songstress' sixth Top 40 got no higher than this. Co-written by Smokey Robinson, it's a cool ballad about not wanting to settle for being the person one's beloved turns to after breakups with others. Should have been a bigger hit. But her ultimate reward, a #1 in the form of "My Guy," was just a year away.
39 - "The Good Life," Tony Bennett
Born Anthony Benedetto in 1926, Bennett got his big break in 1949 when Bob Hope saw him open for singer Pearl Bailey and was impressed enough to take the young man on the road with him. This led to a record deal, and Bennett would score 20 Top 40 hits and three #1s between 1951 and 1954. His career cooled a bit after the emergence of rock and roll, but among the thirteen Top 40s he scored between '55 and '65 were his signature song "I Left My Heart in San Francisco," and this ballad about how having success and its trappings can't really mask a broken heart. I think that's it. Anyway, the voice is golden, and both as a singer and as a person, it seems like he deserved the return to the spotlight that began in the 90s and reached a crescendo when he finally topped the album charts for the first time two years ago with Duets II. I don't think there's another singer that's been born whom I'd prefer to welcome me upon my arrival in Capital City.
38 - "Hopeless," Andy Williams
Iowa-born Williams old-school pop crooning powered 27 Top 40 hits between 1956 and 1972, his only #1 being 1957's "Butterfly. This country-tinged loneliness lament is smoothly delivered, but I imagine it would sound better in the hands of someone with a little more character to their voice. Oh, and even though "Moon River" is the song he's best known for, he never released it as a single. Just one of those weird things.
37 - "Without Love (There is Nothing)," Ray Charles
Brother Ray with a slow, orchestrated blues about how you can have success and material riches, but they are meaningless if they cost you someone special. Primo cry-in-your-beer stuff.
36 - "Surfin' U.S.A.," The Beach Boys
The Hawthorne, California combo made up of the three Wilson brothers, their cousin Mike Love, and their friend Al Jardine, scored their second Top 40 and first Top Ten with this ode to waxing up longboards and riding waves near various beaches in California, Hawaii, and even Australia. They borrowed the tune to Chuck Berry's "Sweet Little Sixteen," but they always credited him, unlike some people. Another oldies staple that hasn't lost its lustre.
35 - "No One," Ray Charles
More Ray, this time in a happier mood, even though the wonderful person he's singing the praises of apparently ended up breaking his heart. For some reason, I think the ideal medium on which to hear this and a lot of his songs of this era is a good old-fashioned jukebox in a slightly seedy bar.
34 - "If My Pillow Could Talk," Connie Francis
Connie keeps up her perfect record of appearances on our 60s lists. The hits were starting to run out, but this R&B-flavored number about crying over lost love is my favorite of the ones we've covered here. Her versatility is quite impressive.
33 - "I Wish I Were a Princess," Little Peggy March
The Philadelphia area was still producing pop stars at this time, and the latest of which was a girl born Margaret Battavio who was just 15 and stood a mere four-foot-nine when she went to #1 in April of this year with "I Will Follow Him." Her follow-up was this song in which she declares that if she acquired her desired position, she would "pass the greatest law in history." Well, one thing's for sure, she's not talking about DOMA. She would only have one more Top 40 in America, but between 1965 and 1980 she'd have 23 of them...in Germany.
32 - "Detroit City," Bobby Bare
The pride of Ironton, Ohio, Bare's first hit was the 1958 #2 "The All American Boy," but due to a mix-up, it was credited to Bill Parsons. Five years later, here he is with the second pop Top 40 (and first counrty Top Ten) he was actually credited for. Co-written by Mel Tillis, who'd go on to have a successful singing career in his own right, it's about a Southern boy who finds life in Motown not as fulfilling as he'd hoped. "By day I make the cars, by night I make the bars," he sings. Solid C&W. And coolest of all, he'd later record some songs by Shel Silverstien, my favorite of these being "The Winner."
31 - "Shut Down," The Beach Boys
The flip side of "Surfin' U.S.A." sees the boys singing about one of their other stock subjects: cars. In this case, their Corvette Stingray, which defeats a rival's Dodge Dart in a drag race. The sax solo on this sounds out of place, but in a good way. Tach it up.
30 - "I Love You Because," Al Martino
Before getting slapped by Brando, the man born Jasper Cini in Philly made his breakthrough in 1952 with the #1 "Here in My Heart." But he'd been out of the Top 40 for ten years before returning with a cover of a 1949 country hit by "Blind Balladeer" Leon Payne. Martino squarely croons this number that pays tribute to a steadfast lover, whom he loves most of all "because you're you." Aw. Professionally performed, but nothing exciting to these ears.
29 - "Come and Get These Memories," Martha and the Vandellas
The Motown trio of Martha Reeves, Rosalind Ashford and Annette Beard had their first Top 40 hit with this Holland-Dozier-Holland number about returning an ex's gifts, which in this case include valentines, a teddy bear, a record of "their song" and a ring. Solid soul, and a good table setter for the smashes to come.
28 - "Just One Look," Doris Troy
Bronx native Troy had just one hit, but it was a pretty good one. Gritty-but-sweet soul about love at first sight. Undeniable. A nust for any sixties dance party. Or for young boys ogling a Pepsi can held by Cindy Crawford.
27 - "First Quarrel," Paul and Paula
Ray Hildebrand and Jill Jackson were both attending the same college in Texas when they formed a singing duo. In 1962, a local DJ invited them to sing some of their songs in his studio for a cancer benefit. One of those songs, a number in which they played the characters of young lovers "Paul" and "Paula," eventually attacted record label attention and became a million-selling #1. They'd have a few more hits before going their separate ways in 1965, including this one about, well, I think the title gives it away. An insignificant song about an insignificant tiff. But they did start a trend of record companies signing male-female duos, so without them, we may not have had Sonny and Cher.
26 - "18 Yellow Roses," Bobby Darin
The versatile singer scored his eighth Top Ten with this latin-flavored country tune about a man who finds that the titular flowes have been delivered to the special lady he lives with, with a note that says they're from someone who loves her "though you belong to another." The guy is surprised, but eventually decides there's only one thing left to do...meet this boy and find out what his intentions are towards his daughter. Quite a twist, huh? Strange, but certainly not "Butterfly Kisses"-creepy. And Darin apparently went out of his way to make everything about this record sound like Marty Robbins, and fortunately, Robbins was flattered.
25 - "String Along," Ricky Nelson
The TV heartthrob continues his run of hits with this chugging pop-rocker that has a similar theme to "Your Old Standby." Like the guitar solo. This guy was legit.
24 - "Ring of Fire," Johnny Cash
The one and only Man in Black had been scoring country smashes since 1955, and once in a while he'd cross over to the pop list with songs like this, this mariachi-flavored comparison of unrequited romance and the torture it can cause. It was co-written by June Carter, who was reportedly inspired by the feelngs she had for her then-married future husband. Apparently, Cash's then-wife claims that this isn't true. She says an intoxicated Johnny wrote the song himself, using "ring of fire" as a euphemism for "vagina." He later gave June a co-writing credit because Carter wasn't doing well financially, according to the first Mrs. Cash. Who knows what's true? But in the end, the song exists, it's fantastic, and that's all that matters.
23 - "Falling," Roy Orbison
Roy again, this time with a gorgeously seductive seduction tango. Not as famous as the single that immediately preceded it (the mighty "In Dreams"), but still, another golden nugget from one of pop's Midases.
22 - "Birdland," Chubby Checker
Another Philadelphia product, the man born Ernest Evans became a huge star in the early 60s with a number of songs about dances, from The Fly to The Pony to the "Limbo Rock," and of course, "The Twist." I'm not sure what's involved in doing the "Birdland," but apparently a lot of people like it, and there's a girl named Susie who's really good at it. Okay, but his other songs are more famous for a reason.
21 - "Harry the Hairy Ape," Ray Stevens
The third hit for the noveltymeister born Harold Ragsdale is about an escaped zoo animal who is discovered by a DJ and becomes a rock star. Decent silliness, powered by Stevens' cartoonish voice and motormouthed delivery. He had his moments. Emphasis on "had."
In Part Two: lost food, marsupial restraint, and a visitor from the East.
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